No, the protagonists of
Germany's Dark Electro/Industrial duo Pyrroline have never been that
sort of loud-mouthed posers of the scene, although measured with
their immensely talent they surely could! Schmoun and Arnte aka
Pyrroline, one of my most beloved female-/male-duos out of this
special niche of the dark music scene have always made their impact
on me already with their very first beginning under their previously
chosen project name Nordschlacht and their unforgettable debut
“Silence, Beauty and Cruelty“ released in early 2007.
Nordschlacht became soon
history because Schmoun and Arnte felt to that time that their chosen
band name was sounding too martially, too aggressive – what the
protagonists aren't and never have been. The music though hasn't
changed too drastically. Now, 14 years later and with their fourth
Pyrroline album (+ the one Nordschlacht album) in stock, the third
signed to the Canadian label EAR, they start their epic sounding
comeback and can be well sorted into the prominent row of quality
Dark Electro music albums released in this very first weeks of 2021.
Almost four years in the
making after their last opus „In the Dawn of Freedom“, Arnte and
Schmoun give us the expected kind of a comeback, the necessary daily
doze of classically produced Dark Electro music with that so beloved
old school vibe founded in the heydays of the late 80s / early 90s.
Pyrroline in the year 2021 stands for refining their audio perfection
still woven into the known and beloved veteran-like sound design. As
for the typically stereo-type rating which we reviewers always have
been confronted with, just think about a musically intercourse
between „Revelations 23“-Like M&tF, Placebo Effect and/or
Abscess for possible comparisons. Yes, it's only meant to give you,
the listener, a hint.
To me actually Pyrroline
stand on their own feet and are able to formulate themselves new and
unique in their style. This mainly belongs on the fact that you'll
get an artistically output filled with intelligent hints, with depths
and springs of inspiration on which Pyrroline extract part-wise their
lyrically content always infected with meaning and message. Writer
and poets like James Montgomery, William Blake or Edgar Alan Poe find
their homage with their inspirational works in Pyrroline lyrics and
Schmoun and Arnte aren't also afraid to take The Holy Bible (“Nothing
Besides You – Psalm 73”) into their composition process too. I
guess it doesn't need to mentioned especially that this demanding
content and concept stands light years above the pseudo-aggressive
testosterone-driven muscle-and-sweat EBM formula. This is purest dark
aesthetic.
„Struggling“ is the
album title, but nothing struggles here, not at all. It is highly
recommend to pick up the physically released product, which is a
nicely designed DCD set. The bonus CD won't be available via digital
downloading procedures and this DCD set is only limited to 500
exemplars. You know it... when there are gone, they are gone... so...
what are you waiting for?
Next
point is the awesome looking bluish cover art painted by Sorin Sorin
(http://www.arts.md)
which shows an old sailing vessel trying to find it course through a
stormy sea with jagged rocky coasts. An absolutely eye-catching kind
of work and no digital download could be able to replace it.
First
off, the main album starts with a slow and haunting Dark Electro
pearl entitled „Decency and Integrity“ which is a co-composition
with Martin Sane of Fix8:Sed8. Check it, consume it, inhale it –
and play it with its epic Synth string pads side by side to Skinny
Puppy's „Worlock“ - and it fits perfectly! Check also out the
meticulously arranged bass line programmings especially on this one,
the best under a quality pair of headphones. So much hand-made
details between harmonic and filter resonance manipulation can be
discovered quite seldom. „Battleground“ comes next and drags the
scenario into a more pummeling and subliminal aggressive mood. It is
one of the very few tracks breaking out of the mid-tempo scheme to a
more straight and danceable environment and also Arnte's voice sounds
more darker and fx-treated than usual. It is one of those Blade
Runner-like classic early 90s-inspired Dark Electro tunes which can
mess with the biggest hit tracks of comparable projects.
„Song of
Deliverance“ is lighter-minded, almost catchy produced with a
constantly well-balanced song structure. Arnte's nearly natural
sounding sounding voice swims perfectly mixed in between the
beautiful installed synth pads. Not a Synthpop track, no, but a quite
accessible and suitable tune for a wider interested audience of .
“Suffer” is another outstanding example of the lesson
“how-to-turn-a-Dark-Electro-tune-into-a-space-odyssey”. Nearly
completely exempted of all heavier percussive elements this track
enters the galactic nebular with it's ambiance, various installed icy
synth pads and Arnte's voice drastically manipulated with a vocoder
effects. The nailing bass line bring in some unfamiliar restlessness
into a track like “This Dusky Faith” while the majestic
integrated synth pad bring back the beloved goose-bump-impression to
Pyrroline's music.
“The Grave” is one of the earlier released
appetizer tracks of this duo which offers opulent synth pad sounds
pretty much linear installed into the parts and a rather
forward-pushing attitude plus Arnte's heavily vocoderized vocals. It
is straight oriented, yes, but at least lesser danceable like
“Battleground” or “Song of Deliverance” for example. To me
the strongest moments are following with the last few tracks as this
are the moments when Schmoun seems to be taking more impact into the
Pyrroline sound and composition process. “Chaos and Order” is a
well-chosen title and services already perfectly into this review.
This tracks starts unfamiliar chaotic with some noisy rhythm FX
sounds and Arnte's deep dark distorted voice. This scenario leads us
to the chorus where Schmoun takes control on this track with her
beautiful voice and brings everything back into order.
“My Rebirth”
is a breathtaking and very catchy mid-tempo instrumental tune filled
with moody synth pads which reminds in its kind a bit on some
Delerium works out of the Leeb / Fulber fame - at least this track
can accomplish with them. Finally – and to me their best tune on
this top-notch produced album – comes in with “The Divine Image” -
another “Schmoun”-song brilliantly placed in the mid-tempo with
her providing the lead vocals. Same impression here which I had
already with opener: check out the bass line programming skills here!
I love that wobbling creaking here as much as I like her voice on
here. An ice-cold produced combination again filled with this special
goose-bump-factor, but so damned epic and majestic above all
expectations.
Have
I mentioned before, that YOU MUST order this DCD set? YES, YOU MUST,
because also the second CD of this beautifully styled digi-pack
offers a rich and valuable content to fulfill your highest
expectations.
Three
additional original Pyrroline compositions and with “Atelier
Complex” another breathtaking Blade Runner-like instrumental tune
which could be easily added to a FLA score album like “WarMech”
and you as the listener wouldn't recognize an alteration of quality.
“State of Things” is a quite straight produced smasher with
enough potential to rival with “Battleground” on the main album.
Regarding the Leeb-/Fulber-like bass line programming skills
represented here - somehow I'd wish that Arnte would be the producer
for the next FLA album.
Additionally
9 remix contributions provided by the creme of the creme out the
current Dark Electro scene could be place with Placebo Effect, Jihad,
Sleepwalk, Terminal State, The Opposer Divine, Fix8:Sed8, g.o.l.e.m.
and Amorphous.
Yes, the surprise is Placebo Effect but not only for
their comeback as a duo after 21 years at the end of 2020 and their
self-released album „Shattered Souls“ (produced by Arnte...). PE
haven't provided any remix for foreign bands with the one exception
of La Floa Maldita in 1995, so to find them here featured with two
fairly produced contributions of „What might have Been“ and
„Suffer“ is a little sensation.
To go for the real deal and to
point out the best remix contribution is kind of my very own taste
and perspective – but what Mr. James „Jihad“ Mendez extracts
out with his smooth piano inserts on the track „Where has no Child
to Die“, a rather „normal“ sounding Pyrroline track, has left
me absolutely speechless! This track in its original version is
featured on here on this bonus CD too – but sorry to say that but
this remix of James kicks out the already good original composition.
Also worth to mention is the straight and pounding interpretation
from Amorphous on „Chaos & Order“. This is surely one of the
most difficult remix works compared to the fascinating original
composition on the main album and to to find it in this rather
EBM-related danceable style is at least unusual - but solidly solved.
Since
already this DCD set is worth enough to pick it up only thanks to the
three original Pyrroline compositions, I again strictly advise you to
purchase it. Again, it is only limited to 500 exemplars. Regarding
the whole package I will have again sleepless nights from now on
because this Pyrroline album is another contender for the imaginary
„album of the year“ contest surely together with Fix8:Sed8 latest
album – but I hardly can't decide so far.
Today
it is Valentine's day – also today is Schmoun's and Arnte's wedding
anniversary! And the release date of „Struggling“ is set for
today too!
Congratulations
to you both and all the best for your further mutual walk of life.
Normally you both deserve all the praise and presents and not
contrary.
But so it is – this album is a gift for all fans and
friends of quality produced Dark Electro music in the classically
style!