Music Reviews



Synoiz: The Forbidden

 Posted by Steve Mecca   Ambient / Electronica / Ethereal / Dub / Soundscapes / Abstract
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Jan 23 2017
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Artist: Synoiz (@)
Title: The Forbidden
Format: Download Only (MP3 + Lossless)
Label: self-released
Rated: *****
The last I heard from Synoiz was back in 2011 with his 'Shock! Horror!' release which was an interesting and varied dark ambient effort. Synoiz is the project name of Graeme Donaldson from Sunderland in the North East of England, and in the interim from what I last heard, has put out a few releases which I haven't heard. Donaldson says 'The Forbidden' "is a far darker work than 2014's sci-fi concept album 'Frontiers' with a much more minimal approach than the debut album 'Ambients'. 'The Forbidden' combines sinister drones and field recordings with artificial choirs and synthesizers to create an album of dark oppressive atmospheres." No kidding. It's plenty dark, and frequencies are definitely at the lower end of the spectrum nearly throughout. This is about as gloomy as you could imagine, primarily using low frequency drone textures, but other elements subtly combined bleed through allowing each piece its own identity. 'The Forbidden' is not an album you can listen to just once and expect to reap all of its uncanny rewards. Yes, there is a certain amount of sameness running throughout, but it seems like more of a thematic cohesiveness than monotony. While seemingly minimal, subdued sonic events that crop up here and there that add to the flavor. Deserted, decrepit mansions and dusty crypts come to mind. The two tracks that sound nothing like the rest of the album are title track "The Forbidden (Below)" with its heavy sinister choir-like pads, whispers and moaning ghost, and the bonus track, "Inside the Ship" with a watery ambience, creaking wooden masts, and block & tackle clanking. Kind of like being aboard the Flying Dutchman. I think the album is a worthy one you're likely to find yourself returning to again and again because it's not intrusive and could serve as good background ambience for a variety of activities. Available at a number of outlets, but purchasing directly from the artist may be your most economic option.

Meho: Another Crappy Day

 Posted by Ibrahim Khider (@)   Ambient / Electronica / Ethereal / Dub / Soundscapes / Abstract
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Jan 23 2017
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Artist: Meho (@)
Title: Another Crappy Day
Format: Download Only (MP3 + Lossless)
Label: Crna Zemlja (@)
Distributor: Archive.org
The latest by prolific ambient-drone producer, Meho Grbic, based out of Bosia and Herzegovina, produces dark/deep ambient and drone, often as a musical response to post-war Bosnia and its ongoing political, social, and economic malaise. Grbic works in mainland Europe for half a year and lives as an artist in Bosnia, where employment is scarce, the other half. However, he always brings his microphone and music production gear everywhere he goes to absorb and musically respond to the world around him. In Bosnia, Grbic finds no shortage of inspiration as his environs are frequently the source for his album and track titles, not to mention the very title of his label, Crna Zemlja, which means 'black city'. For all the bleak vibes and darkness that inspires Meho, the music itself is meditative, darkly beautiful—in a dreamy sort of way and recalls some of the early work of Thomas Koner. “04:00AM Wake-up Call” is an example of the way a Meho track is crafted, starting with a sustained ring, either from an alarm clock or an actual wake-up phone call, then processed and melded with ambience until itself seems a kind of illusion. “Grey Communist Buildings” feels more space ambient for all its vast, resonating feel despite its title. “Third World Train Ride” starts with reverb-drenched creaks and shuffles of busy movement, leaving a train station before it plunges into drone world, with continuous, lulling clickity-clacks and echoes, perhaps emulating the half-sleep state of drowsy commuters. “Vertigo” is the darkest drone piece of the lot, where amidst sustained, menacing tones it seems a demon is trying to speak through a nether-portal. “Sandman” is gorgeous, likely the respite of the “Crappy Day”, evoking the dreamlike feel of the music of Celer. Each track here has unique textures and tones so you really feel as if you are listening to a full album rather than mere variations of a theme. Pretty much all Meho albums are worth immersing yourself in, but this one is not a bad place to start. Pity about the title, because listening to “Another Crappy Day” makes my day anything but.

Smooth: Vintage 04

 Posted by Ibrahim Khider (@)   Ambient / Electronica / Ethereal / Dub / Soundscapes / Abstract
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Jan 22 2017
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Artist: Smooth (@)
Title: Vintage 04
Format: Download Only (MP3 + Lossless)
Label: Cyan Msuic (@)
Distributor: Archive.org
Part of the ongoing Vintage series by Cologne, Germany-based Marco Koller aka Smooth, Vintage 04 is among the more ambient-atmospheric and downtempo releases as it is deep, nocturnal and resonates with a touch of romance. Earlier iterations such as Vintage 03 and 02 were more deep techno and tech-house a la Swayzak with strong kinetic energy, but 04 contrasts with a dreamy voyage. Vintage 04 also strives to be 'otherworldly', evidenced in the use of either science documentary or fiction narratives and rocket launch pad dialogues that weave in and out of the sonic aether as well as track titles such as “First Contact”, “Galactic Outpost”, and “Into Space 2080”. However, this star system was already charted by the likes of Basic Channel/Chain Reaction and if you are an Archive.org dweller, Rktic's Northern Lights (THN005) release. That this corner of the galaxy was already explored does not diminish its beauty as it is still a pleasant excursion and Koller guides his spacecraft expertly through the region. The Vintage series and especially 04 works well to download to a digital player and take on long night walks or read sci-fi to or trip out to at home as the shortest track clocks in at seven minutes and the longest, 17. One of the coolest details about production of the Vintage series is that Koller exclusively uses hardware electronic gear and outboard effects to produce them such as an assortment of Korg's, Rolands, and Behringer's and has a comprehensive gear list on his artist site. Case in point is “Into Space 2080” where the tracks starts off dreamily with shimmering Basic Channel-esque electronics and what you initially think is a grooving bassline then morphs into TB-303 acid tones followed by nice, understated rhythms and beats. The Vintage series is a treasure find for electronic/deep techno enthusiasts and Marco Koller is a skilled purist worth listening to and following.

Ugasanie: Border of Worlds

 Posted by Andrea Piran (@)   Ambient / Electronica / Ethereal / Dub / Soundscapes / Abstract
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Jan 22 2017
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Artist: Ugasanie (@)
Title: Border of Worlds
Format: CD
Label: Cryo Chamber (@)
Rated: *****
According to the liner notes, the Ugasanie's release is focused on the beliefs of the people of the Tundra at whose center there's the shaman and his reborn after eating the Amanita Mushroom. To narrate the ability, after this experience, to traverse between worlds with his spirit, Pavel Malyshkin makes a great use of samples to create a sort of cinematic experience and, with this narrative element, unify the tracks.
The first seconds of "White Death" immediately depict a cold atmosphere where samples upon the drone create a sense of impending menace, while "Over the Tundra" is more descriptive of a vast and uninhabited landscape. The deep bass frequencies of "Obfuscation" create the context for the final samples which create a narrative hook while "My Mother-Beast" are "On the Branches of the Sacred Larch" are almost canonical dark ambient tracks acting as an interlude to "Initiation" where the use of the voices in the background are truly evocative and continues the description of the place pictured in the cover art. "North Breath" seems to be based on a discernible little melody with isolated resonances of piano tones. "Way of Amanita" is a timbre's crescendo which quietly starts and ends after an endless accumulation. The narrative element returns in "In Cold Arctic Winds" where the samples are carefully hidden in the soundscape and "Endless Winter" closes this release with even an hint of melody hidden in the drones.
Even if someone could find this release a little too adherent to the genre's canonical form, the Ugasanie's writing makes this album something that unfolds upon repeated listening to enjoy all the subtle nuances of the sound. Recommended for fans of the genre.
Jan 22 2017
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Artist: Garaliya (@)
Title: Ventricle Replicant
Format: Download Only (MP3 + Lossless)
Label: Kvitnu (@)
Rated: *****
If robots would ever "perfectly" emulate humans, they should be conveniently imperfect. For instance, they would get exposed to the risk of heart attack and other human diseases. Well, this brief releases including five tracks developed by Italian duo Garaliya (Andrea Belloni and Michelangelo Roberti are their names at the registry office) could get matched to imaginary significant cardiac diseases of a robot. The robotic atrial fibrillations of the opening "Ventricle", the decaying blips in the elastic electromechanical loops of "Z-Clones", the buzzing anomalies in the silicon glue of "Serpenter", the imperfect delay on the dystopian piercing tones of "The Roboteer" (close to some outputs by other past entries of Italian electro projects such as Monomorph or Dynamic Wave) or the chest-thumping alien race of the morbid synth sequences on the final "Replicant" could be the soundtrack for a non-existent branch of cardiology in a supposedly forthcoming cyber age. Another juicy sonic pill from the top-playing Ukrainian Wien-based label Kvitnu. Available on CDr as well.


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