Music Reviews

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Artist: Simon Scott (@)
Title: Insomni
Format: CD
Label: Ash International
Rated: *****
British multi-instrumentalist and sound ecologist Simon Scott, whose name is well-known to many Slowdive fans as he's been the drummer of the recently regrouped shoegaze band since 1991, mainly focuses on awesome tonal studios on his solo workouts. In spite of some connections to the sound and the concept of his recent output "Below Sea Level" for Wozencroft's label Touch - many tracks of this output, such as "Holme Posts" or "Fen Drove", features environmental sounds that he supposedly grabbed in Cambridgeshire and Huntingdonshire, where there's the lowest point in Great Britain (if I remember well around 3 metres below sea level) -, "Insomni" is an output on Touch sister-label Ash International which has not a proper conceptual framework, even if someone could confuse the fact it was made during a sleepless night as a concept. The way by which Simon combines effected guitars, electronics, digital signal processing, field recordings - lovely the above-mentioned ones that he grabbed in Home Fen Posts - as well as the sounds he made from a series of found objects (including the humming of his fridge mirror, the hissing of a DVD player, a broken laptop and other domestic resounding entities, which have been some of the sparkles for Simon's creativity) could let you imagine he tried to mic any air flow between his sensorial sphere and the environment blowing into his personal circadian pinwheel: I particularly enjoyed the moments where some lucid dreams seem to gush out of majestic artifacts of a masterful dronegazer like Simon such as the opening "An Angel From The Sea Kissed Me" or the likewise catchy "Confusion In Her Eyes", as the transitions between almost ecstatic sound-sets towards saturations and distortions, where the seemingly peaceful doldrums of the opening waves turn into stormy waters, are a remarkable aural pleasure, well as the moments where the interferences of "concrete" sounds and circling reverie result into a sort of dirty ecstasy as it happens on "Oaks Grow Stronger". In the second part of "Insomni", Simon focuses on the sound of acoustic guitar in a way that could let you think that the first lights of dawn gradually manage to brighten up the sound by means of a sort of catharsis, which vanishes the disturbances which previously harnessed the rendering of the emotional carousel by means of really lovely tracks like "Far From The Tree", "Nettle Bed", "Ternal" and the sweet lulling of the final "Swanbark".



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