Music Reviews



How To Cure Our Soul: Mare

 Posted by Andrea Piran (@)   Ambient / Electronica / Ethereal / Dub / Soundscapes / Abstract
Experimental / Avantgarde / Weird & Wired / Glitch / Noise / Field Recording
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Oct 15 2017
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Artist: How To Cure Our Soul (@)
Title: Mare
Format: CD
Label: Sequel
Rated: *****
This new release form the project of Marco Marzuoli and Alessandro Sergente is a single track release introduced by the Jules Verne's words about the see as "the Living Infinite". As their previous releases, also this one is based upon drones and it's focused on a meditative idea of sound.
After some seconds of silence, instead of the expected drone, the ebb and flow of the sea introduce the listener into a contemplative setting as even some bird could be heard at a distance. Approximately at 5:00 mark, a drone quietly starts an begin to try to blend to the sound of the water and at 10:00 mark a second drone stats and instead of bury the underneath element it seems to underline them until the third one takes the listen towards the full listening experience overwhelming the listener. As the underlining field recording is always audible it sounds as the juxtaposition of a place and the emotions triggered by it as if the drone would act as a voice off. As the track begins his ending the drones quietly stops and the listener is left with the sound of the sea.
If, after reading this release, the reader could think that this release is developed around nothing, he should be aware that sometimes less is more as pure contemplation could only be done while seeing the details and forget the rest. Essential.

Urs Wild: Hidden Universe

 Posted by Andrea Piran (@)   Experimental / Avantgarde / Weird & Wired / Glitch / Noise / Field Recording
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Oct 08 2017
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Artist: Urs Wild (@)
Title: Hidden Universe
Format: Download Only (MP3 + Lossless)
Label: Eighth Tower Records (@)
Rated: *****
While most of the first releases of this label were compilation, Hidden Universe is the first release by Eighth Tower Records entirely dedicated on a single artist. The music from this musician is a variation of Dark Ambient with a clever use of noise and not centered on a drone, which is the glue of the layers instead of being the main element of the track, but on the elements on top of it with the result of a more varied sound framework.
The first track of this release, "Sea of Unnatural Presence", seems to set the framework of this release with his complex sound spectrum where layers of voices, noises and synths creates something as noisy as evocative, but the other tracks are based on a more minimal sound environment. "Signals" is instead characterized by a minimal sound framework based on a drone in the background and a looping synth line. "Ritualized" is a variation of the previous track using filtered voices instead of synth and reveals the great attention for sound construction. "Mardröm" use the spatialization of sound to obtain the impression of being immersed in the universe imagined by the author. While "Hidden Matter" is rather meditative, "Construction of the limitless" is noisy and "Portal" is minimalistic in his almost realistic depiction. With "Machine without mechanisms" there's a return the complex construction of the first track as noises, drones and even a bell tick create a sonic assault to the listener which is partially continued by "Hidden Energy" but with greater attention to the development of an evocative atmosphere. "Horizon of tranquility" closes this release with a quiet and minimal sound palette but with some evocative samples.
This a really good release with the only cons of being perhaps too long as his central part is based on a minimal framework in a contrast with the initial and final part of great complexity and sonic brilliance. Fans of experimental music will have their cup of tea.

Jason Grier: Demonstration Disc

 Posted by Stuart Bruce (@)   Experimental / Avantgarde / Weird & Wired / Glitch / Noise / Field Recording
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Oct 07 2017
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Artist: Jason Grier
Title: Demonstration Disc
Format: CD + Download
Label: Human Ear Music
Jason Grier has been collecting and curating an open-source library of ‘loose end’ acoustic and electronic samples- found sounds, detritus and outtakes from studio recordings, mangled data interpretations and beyond- for the last four years. “Demonstration Disc” is, prosaically, an album intended to show off the breadth and possibility of this collection- which it does admirably.

Comprising ten tracks, numbered but not named, making a forty minute whole, it often feels like there’s no rhyme or reason within it. Track 1 is a beautiful, gentle, operatic soundscape with a smooth feminine vocal note and a strong sense of being composed; track 2 is dominated by chaotic noise and fireworks and feels purely generated. Track 6 walks the border between organic and electronic percussive tones, with ethnic-sounding sources degrading into glitchy electronic awkwardness, yet it’s followed by tracks 7 and 8 which (after a broken-speak-and-spell style intro) sound like natural, loose improvised avantgarde jazz.

As an album greater than the sum of its parts, it’s a mixed success. At times it flows beautifully and feels like it has a sense of purpose (the evolving sombreness of longest piece track 9 being a prime example), but at others the harsh edges and spontaneous switches are too meaninglessly rough and arbitrary. For sonic experimenters looking for a new online resource to mine, it is very successful as an advertisement (though at the time of writing I can’t actually find the resource in question), but as an avantgarde album it’s a mixed bag.

Thet Liturgiske Owäsendet: Wisconsin Mining State

 Posted by Andrea Piran (@)   Experimental / Avantgarde / Weird & Wired / Glitch / Noise / Field Recording
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Oct 01 2017
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Artist: Thet Liturgiske Owäsendet (@)
Title: Wisconsin Mining State
Format: Tape
Label: Forwind Press (@)
Rated: *****
Thet Liturgiske Owasendet are a duo from Sweden which uses mainly guitars, field recordings and modular synths; the name of this release and of the tracks are centered around the mining activity in an American state. Structurally it sounds as a release conceived for a tape as the two sides are musically separated in the construction of the tracks even if the main sonic elements are the same, but music is sound contained in a structure.
The first side of this tape is mostly quiet and dreaming; it's opened by "Platteville", a drone track where the movement is obtained by the dynamics as the sound masses have ebb and flow. "Hazel Green" oscillates between quiet sound tones and noisy interlude. While at first sight "Klar Piquett" sound static, it's only because it's components emerge and drawn as in a loop creating a sort of discernible rhythmic structure.
The B side is more oriented towards industrial territories; it's opened by "Iron Ridge" where the noisy main loop ties the soundscape in the background that emerges when the the loop is off. "Mineral Point" revolves around its metallic rhythm which creates a contrast with a quiet high pitch drone that result in an hypnotic track. "Rajah" closes this release with a drone with thick masses of sound which creates a link with the first track of the first side of the tape.
It couldn't be ground breaking or it couldn't be an album of the year but it's something really well written and it doesn't let the impression of something put on tape only to have something to release; the cure in the development of this opus, included the stunning artwork, reveals a search for art. Truly recommended.

ELEH + Richard Chartier: LINELEH II

 Posted by Vito Camarretta (@)   Ambient / Electronica / Ethereal / Dub / Soundscapes / Abstract
Experimental / Avantgarde / Weird & Wired / Glitch / Noise / Field Recording
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Oct 01 2017
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Artist: ELEH + Richard Chartier
Title: LINELEH II
Format: CD
Label: LINE (@)
Rated: *****
The temptation to check the second part after I enjoyed the first one of this collaborative release by Richard Chartier and ELEH (have a read on the words about the first part to see who are these guys) was too strong. Compared to the first half (or I'd better say to the first third, considering the fact that the length of LINELEH II is nearly twice the one of LINELEH I), there are some elements of variation. In order to reprise the medical comparison I adopted for the previous review, the first minutes of this second part could sound like the screening of heart pulsations of someone under a drug-induced coma. A slow drop-like pulsation is audible during them, but the set slowly changes. The surrounding drone seems to rise little by little and that pulsation seems to have been turned into a muted hiss as if it comes from an empty large space. The listening experience is seemingly static as you'll find different slow transitions and mutations of the intangible substance they manipulated till the moment when the audible elements become so thin that they could evoke a journey into a sort of a metaphysical nothingness. Like the first part, it's a matter of (physical and mental) space and time again and, as I already said on that occasion, a pair of headphones or an excellent set for a quiet amplification is recommended.


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