“Ghostwood” CD
(103rd Cycle)
New deeply introspective album by Norway’s Taphephobia. Opting for a slightly cleaner sonic palette than previous releases using less processed sounds and a more natural sounding approach to his guitar work, Ketil Soraker pushes what is now considered as Taphephobia’s signature sound. In the vein of his previous Cyclic Law release “Escape From The Mundane Self”, we are submerged in a skillful combination of lush ambient guitar passages, sonic abstractions and processed flute. “Ghostwood” is a most personal hymn to experiencing the solace of the northern forest. Artwork by NIHIL.
Edition of 300 Copies in 4 panel Digipak. 10 Tracks. Running Time 45:37
“Monuments” CD
(109th Cycle)
On this special collaboration album, both artists have showcased their unique take on atmospheric soundscapes. A soundtrack to vast, imagined uninhabited landscapes, unexplored and untouched by mankind. We’re given a bleak glimpse into a hidden world, both mentally and physically. The two long monumental tracks induce a calm, ominous and introspective setting, perfectly suited to drift within these envisioned barren lands.
Edition of 300 copies in 4 panel Digipak. 2 Tracks. Running Time: 39:14
“Fiende” CD
(107th Cycle)
On their latest album the Norwegian duo pushes some of the hard hitting, mechanically textured aesthetics of their previous release “Fullstendig Brent” to the forefront. A dystopian commentary on the risks inherent to the antagonistic nature of humankind, and how the overwhelming and uncertain scope of Industry 4.0 – of progressively more powerful technology and strong AI – may end up amplifying those risks beyond human control. Given this conceptual framework, DØDSMASKIN have aimed to develop a sound palette that shifts between both droning and pulsating brutality that represents unstoppable forces in motion and bleak atmospheres that denote an age of growing futility and – ultimately – self-inflicted extinction. Mastered by Rafael Anton Irisarri at Black Knoll Studio, NY.
Edition of 500 Copies in 4 panel Digipak. 5 Tracks. Running Time 40:42
“Ingenting” CD
(106th Cycle)
We’re glad to welcome Norwegian Industrialists DØDSMASKIN to the Cyclic Law roster. “Ingenting” was first finalised in June 2015 and shrouded in almost complete secrecy. Being their original debut it somehow never had a proper release, untill now. When contemplating a human face through the eyes of an x-ray machine, the void it projects back can be unsettling. This cranial frame, stripped of life; a reminder of the finite frontiers that constrain our transitory institutions, and the nothingness that precedes and succeeds them. However, while we occupy this bodily state, nothingness is detached neither from comprehension nor experience. Rather, it is interacting; mirrored in the human inclination to manifest its imprint time and time again through a continuous spiral of intellectual and material destruction. And its catalyst is also a testament to its paradox: the human impulse to escape it by any means necessary. “Ingenting” is a well balanced introduction to the core elements of the Dødsmaskin’s sound where extreme measures were used in order to capture the right physics sonically, such as having a 1000-ton freight train powering over recording devices, the process was an intense undertaking and the resulting harsh sonic textural walls that collide with more atmospheric passages are some of the most unique we’ve heard. Mastered at Black Knoll Studio by Rafael Anton Irisarri.
Edition of 300 copies in 4 panel Digipak. 5 Tracks. Running Time: 40:44


Please enter your comment!
Please enter your name here