The music Brian Williams is releasing since "Paradise Disowned" has always been related to images in general and to soundtracks specifically and the fact that he collaborated for the realisation of forty soundtracks is proving that. ZOETROPE is an extended and revised version of the soundtrack of the same short movie. Directed by Charles Deaux, and produced by Matchgirl Pictures, and based in part on Kafka's "The Penal Colony".
Consisting of both the music and extensive sound design of the movie, melded and mutated to recapture the atmospheric nightmare of the world that is Zoetrope: a haunting examination of a man imprisoned in the inner depths of his own mind, only to discover the truth about himself and the world of oppression which has driven him to this inescapable fate. The short media file included into the CD made me remember another movie inspired by the novel "The Castle", a movie directed by Steve Soderbergh and well played by Jeremy Irons titled "Kafka". Musically, the tracks have got different moments which goes to the magmatic drones kinda ones to the mix of sounds coming from the motion picture along with treated percussions. If you loved "Paradise Disowned" or "Monstrous Soul" this one is for you!
Second The Caretaker release after critically acclaimed "The Haunted Ballroom" (evoking Kubrick's ballroom scene from "The Shining"), "A Stairway to the Stars" has been in the making for over two years and is built around forgotten ballroom classics from the 30es and the 40es. Comparisons to Richard James' "Selected Ambient Works II" (whom elegedly they collaborated with) are not way off, but you rather have to think of this in terms of original recordings restored, edited, processed and re-processed. The result is an awesome timeless soundtrack of memories where a predominant reverb wash helps amplifying the sensation of distance (in time). A true beauty, a record where time becomes a ghost, nostalgia becomes evocation and past becomes present. Old crackling tunes that become so real that if you close your eyes you can probably see ghosts from a past life dancing in front and around you with light waving moves and transparent faded blue and gray colors... Like memory loosing focus and detail, this aural record brings you back a dreamy history letting you fill in the blanks, while the lush ambient wash wraps you...
The record is released on V/Vm's label V/Vm Test, and if you aren't familiar with them and their controversial, silly, funny and provoking releases you should do some ressearch and find out what they're capable of! ;-)
Dark, Ambient electronic mood music. This first release by Anderson instantly takes the listener on a journey into a realm of the dark unknown. Combining elements of Ambient, Industrial and various eclectic and experimental self contrived electronic audio structures and even utilizes some tribal elements.
If you like music like Patrick O'hearn's album Indigo then you will love Robert Anderson's work as this is the closest comparison I could possibly make to this album.
You will find some New Age elements prevalent on some pieces while others are more tribal or industrial sounding. This is definitely great mood music for whatever purpose; meditating, message, trance, sexual intercourse, etc. The sounds are so originally constructed that they create a virtual landscape for the mind to contemplate, dark though it may be. The themes may even instill fear in some more timid listeners but will sound ethereally beautiful for those who enjoy a darker shade of life.
These compositions are originally composed and intended it seems for BDSM and other similar adult play.
The Dark Muse is an American female one-(wo)man-band project. Her name is Phyll Smith and she's been releasing many CD-R's through mp3.com for quite a long time. The Fossil Dungeon (a new label owned by members of the band The Soil Bleeds Black) has filled the gap by releasing her first "real" CD (a beautiful folding multi-panel digipack) so everybody can taste her graceful, enchanting and ethereal music. Voice is used as the primary instrument, in addition to guitar, russian piano, bells, coils, synths, drum machine and other found sounds. The seven pieces are hardly rhythmical though, most part of "Sounds from Beyond the Silver Wheel" are a wash of long and wide hall reverbs moving in slow motion from one verse to the next (whenever there is a vocal part at all), drawing circles of relaxing and rapturing soundscapes, reaching beyond the known into a whole new world of sounds... Cold Meet Industry, Vidna Obmana, Jeff Greinke, Roedelius... Oniric trance, ethereal alchemy, sounds for haunted spaces... call it whatever you please, but it sure is quite beautiful.
PS: She also has her own line of gothic/victorian jewelry (stones, crystals, steel, glass etc).