Stainislav Kreitchi's electroacoustic musique concrete proposal comes as a concept album about the excitement of our imagination and how voices (sounds) and movement (rhythms) complement each other in every auditory perception. The entire full length CD with its 7 tracks is played on the legendary ANS synthesizer (whom Electroshock has dedicated vol. IV of their "Electroacoustic Music" compilation series), keyboards and ovaloid. To enhance the perception of nature surrounding you, found sounds, human voices, field recordings and themes from Star Trek and other movies are pasted in digitally. The interesting part is that the opening track "Rhapsody in Rorschach" (where the Rorschach test focuses on visual stimuli to instinctively create pictures in our imagination) is the mother composition that branches out into four fantasies: "Winter" (with its cold bells, long pads, eastern women's chants, glacial sounds); "Spring" (with its watery samples, heavily treated singing birds, more female choirs and more, as in nature waking up and coming back to life); "Summer" (with its intense field recordings, where the field are actual fields, with buzzing insects, lots of birds, wind, reverberated ritual chants and traditional breath instruments, occasional pounding indus beats etc); and finally "Autumn" (with its many bells, windy sounds, low frequency notes, deep male choruses and so on). The other two tracks, "Ruins in the Waste" and the self-titled track, show a tiny bit more musicality, with orchestral breath instruments sounding like french horns, but the abstract structure of these compositions is way beyond and far away from what you would normally consider musical anyway. Strangely, not much of a general rhythmical structure is allowed either, even though the rhythm is supposed to be half of the theme behind the record. In the last track, in particular, water, adult voices, babies crying and steps on a ground covered in stones recall the graphical theme of the booklet and the cover, where on a shore big coloured stones laying on the sand and getting wet with the waves, visually represent what is supposed to equally excite our imagination. Also car sounds, public sounds, more steps (strongly separated in an unreal stereo image), cinematic orchestral music pieces and hiss at different frequencies (who knows if coming off of the recordings or actually part of the experiment) color the atmosphere and contribute to the picture.
In some odd way, think of Juno Reactor's "Shango" without the techno dancehall beats,and more emphasis on the trance elements and organic drumming, conjuring images of jungles and gliding across shadowy night cliffs. Or dancing with the Indians in some ancient nocturnal rite now forgotten in these times of technology and strip malls. While not totally revolutionary as the promos might say, as it is goa-trance and not a new genre, it is quite a feast for those into organic drumming. The beats are danceable but for some reason I don't feel like dancing to them so much as I do absorbing them into my mind. And the atmospheres to boot definitely give it that cryptic atmosphere aforementioned above. I'm not quite sure but I wouldn't be surprised if they did a Sepultura and got real tribal drummer(s) in here, which may be the case with our friend Momodou Kah,who provides the driving rhythms therein. And also the ubiquitous Robert Fripp of King Crimson fame is on here, providing his always interesting guitar lines. The guy seems alot more active in his older days than in King Crimson's prime, ever notice? I never heard all too much of their work, but I think it's on my list now...The title track is one of my favorites on here with it's sparse ambient sounds, and "Taking Flight" as well. "Offspring" also has a nice little way of linking together sounds into a nice little symphony, as Roach is known to do. I love the noise effect when it rises up! So I reccomend this for fans more into organic music,goa and African percusion, and ambient styles. It may not be so much for the dancefloor as it is for the mind, but hey give it a shot, I'm sure alot could dance to this given the right mood. I'll try to sometime, and look goofy with my little rave dancing to it. You watch some basement DJ is garaunteed to make a club remix of this stuff! Rating: 9. Also recommended is Juno Reactor's "Shango" and anything of their's for that matter!
Eric Kesner has been playing guitar for over a decade, but debuted with his solo project True Colour of Blood only last year, with this release on Andrea Marutti (of Amon/Never Known fame)'s cdr label AFE, and "Awakened. To Never Sleep Again" on Soulworm Editions. TCOB delivers some excellent ambient music which is generated almost only by guitars and effects. There's only some limited drum programming (on "Forlorn") and tape manipulations, and that's it. But Kesner's sound palette is incredibly rich and sometimes one wonders how these tracks could be played with such (apparently) limited tools. Some tracks, like the opening "Demergo Abyssus", are dark and obsessive, with menacing drones and suffocating atmospheres, while others (notably "Zophos" and "Twilight State Dream") have a more melancholic cosmic feel - not that far from some of Never Known's works, to stay in the AFE family... Layout is excellent, with stones and fossils photos printed on high quality cardboard - well done and professional looking. My only quibble is with the mix. While being excellent for a 4-track recording, I think it has too many basses and that some higher frequencies got lost in the way. A clearer mix would have made this perfect, but anyway, this is a very recommended release.
As you already know Prikosnovenie is a label dedicated to ethereal sounds and dark folk culture. Well this first Daemonia Nymphe's album couldn't fit this genre in a better way. The band is composed by Spyros Giasafakis and Evi Stergiou and for this release they have been aided by seventeen other musicians. The sound of the band is really particular because they wanted to base their sound on their Greek roots using uniquely reproductions of ancient instruments. Everything in this CD is based on ancient Greek culture, also the lyrics talk about ancient Goddesses, Nymphs, etc. Also from the titles you could get some hints. "Message Horn's Enchanting Echo", "Ida's Dactyls", "Summoning Divine Selene", "Hades", "Dance Of Satyrs", "Korai Rejoicing In Antron", "Nymphs Of The Seagod Nereus", "Hymn To Bacchus" and "Invoking Pan" are the titled of the inspired tracks of this Daemonia Nymphe's first album. You know that I don't love that much folk music and dark folk in general but I assure you that this CD contains nine thrilling tracks and if I say so, you've got to trust me! :)
It's good every now and then to take a break and revel in the joys of classical music, and I do this more often than no! I am a firm believer you can do anything to Beethoven's 5th and 9th symphonies! ANYTHING!And my worship of Das Ich is only further proof,and the almighty Helium Vola and Deine Lakaien.Two things are obvious with this group: (1). They have more melancholy than the usual classical group (2). They have all had some pretty thorough training to have done this. The man behind it spent several years in the oldest and most respected line of choir in the world, and it shows why they'd pick him. This music is very moody yet beautiful on top of it all, perfectly flowing and catching you in it's spell of violins and piano lines before you even notice it, you're jsut a little more peaceful. My favorite track is their splendid cover of Black Tape For A Blue Girl's "I wish You Could Smile", with it's plinking keys and ethereal atmosphere perfectly complimenting one another. Track 4 also is a highlight with it's Baroque style of playing, which seems to me like a lost art. Great little CD to listen to in the park or when you're meditating or just relaxing. Even for classical purists it's a pretty solid bet. Just gorgeous music for those who appreciate it! Rating:10. Recommended for those into Black Tape's "As One Aflame Laid Bare By Desire" and neo-classical in general.