This is a re-edition of Klimperei's first ever record, which at the time, or more than 10 years ago, already was just a selection of five hours worth of music. If you are into experimental music, you must already know this prolix french duo (in music and in life) and the fact that they have 28 old songs on one CD will probably be good news to you. Those who ain't familiar with Klimperei should try to imagine a unique experimental voyarism, musique concrete vanguard, baroque, romantic, visionary, old-fashioned (above all in a record with material this old!) and "french"; simple minimalism, short compositions with out-of-tune pianos (or even worse with classical guitars and piano, both are out of tune) and other home made or really weird and unconventional instruments. Forget punk, this is the new do it yourself stream, a monument to home recording as well! Spontaneous as in every mainly improvised record. Klimperei throw everyone off with their stuff. For lovers and people really into this.
Scented Meat is Giuseppe Leali, already reviewed as Il Salotto di Nonna Speranza (see archive), bass-player and experimental music agitator with his diy label and distribution Mah, Boh, Oibò?. As the title suggests, these three tracks (coming from 100% improvised guitar and bass solo sessions) are a complement to visual installations by the sculptor Massimo Giuliano and Leali himself. "Altered interference 1" is mainly feedbacks and amps noises with a kind of environmental reverb/delay giving a sense of spatiality; I think it's the best track of the work. "Altered interference 2" is pure feedback hisses in their rawer form. "Not at all" is a bass improvisation, sort of quieter stuff similar to the Nonna Speranza cd. The cd is "voluntarily annoying", and besides that I'd be curious of seeing what kind of visual art it was meant to accompany. Approach only if you like extreme improvised sadomasochism.
Debut album by this Japanese combo whose offering consists of a beautiful blend of soft electronica, experimental avantgarde music, jazzy fusion and zeuhl music... Robert Fripp, Weather Report, Lyle Mays, Jeff Back's latest, John Zorn, the Legendary Pink Dots, Klimperei and a lot of other musicians could be their references. It's hard to categorize and even to describe this because there are so many influences involved. If you know the label you might have a pretty good idea, if you don't you have to try to image the above and a lot more, all interacting together as it really goes from almost plain jazz Mays-like piano ballads ("Inner Crystal", "Circular Pinx"), to more experimental quasi slow no-wave (the title track), to progressive rock mixed with free-jazz, fusion and small bits of funk ("Silence, Darkness") and beautiful acoustic ballads ("Where No One Has Gone") with Enya-style female choirs. This album has female pop/jazz vocals (in Japanese) in some tracks.
Six North member Takumi Seino's side project Priority is a beautiful and enchanting mixture of electronics and fusion... The guitar playing reminds a lot of Pat Metheny or Allan Holdsworth (mostly clean or slightly treated, but also lightly or heavily distorted, obviously with lots of pedalling, fade ins and fade outs, like in fusion's best tradition!) coupled with a beautifully deep fretless bass and an intense and pretty much cymbals-only drumming create a relaxing environment. Samples and layers of soft synthetic sounds help the electronic side create an ethereal and heavenly blend with melodic, meditative and melancholic jazzy vibes, awesome atmospheres and a terrific dreamlike overall experience... A unique album, so intense, so beautiful and so powerful. One of my favorite electronic/fusion records!
Not sure this is actually suitable content for a publication like ours but we'll do an exception because it's a label that usually does different stuff... Not that I dislike it, on the contrary, I dig this stuff a lot personally, but we have made a commitment to our readers to be as true as possible to our initial goal to give exposure to electronic/industrial music and the like... So please, labels out there, take a note and remember we don't review jazz/rock/blues/metal etc... Anyway back to what is important in the end: the music. We hope that readers, the band and the label will excuse if we have used a couple of lines of this space to clarify our goals and guidelines, once again.
So, first off, Moulder and Scully don't have anything to do with this. Brand X is an american combo (I belive they're New Yorkers) with incredibly talented musicians who's been performing a mixture of progressive rock and free-jazz with occasional sprinkles of funk for at least two decades. Almost no vocals (except for guests) these two gifted cats, John Goodsall (guitar) and Percy Jones (bass), supported by a number of likewise hot musicians, basically plays fusion in its maybe truest form. Think Uzeb, Jetro Tall, Earth Wind and Fire, Japan, Gong, Weather Report, Genesis, Pat Metheny and other prog-rock/art/fusion/jazz bands out there...
"The X Files" is a double CD "best of" that collects tracks spanning between 1976 and 1999, including studio out takes, live versions (NYC and Japan Tour), remastered stuff, previously unreleased tracks etc. Special guests include Bayete, Malcom Bruce, Bill Bruford, Mike Clarke, Phil Collins from Genesis (singing through a really crappy mic), John Giblin, Frank Katz, Robin Lumley, Pierre Moerlen (Gong), Morris Pert, Chester Thompson, Danny Wilding and at least a half dozen others.
Considering our audience's tastes not too many will probably run to a store to get this, which is too bad 'cause its a good collection of tracks (both for who simply loves good music and for those crazy about virtuoso, as there is some really dope playing, especially guitar solos and bass fingering...) and according to the band: "this is a much more accurate representation of our work over the past 20 years than anything else that is out there".