Cute Belgian female singer Roxane ain't new to the electro/dark/goth scenes. She's been playing keys and singing for over ten years with the bands The Dark Rebels and De Volanges and has finally decided that she should be alone, or at least lead her own fate and have musicians support her for the many live shows she's been performing. Announcing the forthcoming full lenght album "Ordal", this 50 copies limited edition demo MCD features four electro/goth tracks with punchy old fashioned synth lines, slow beats, melodic dark-ebm singing. The opening track "1989" is a total ebm anthem with fast raving beats and a title that makes me think of the Sisters while the other three songs go on the slower side and keep the melodic approach on the vocals. Overall very '80es sounding, so you know what to expect. One thing that is worth mentioning is the very original packaging of the CD, that comes in a transparent plastic shell (with a sticker) that you can't actually open, instead you sort of push a plastic button that pushes out the CD form the case... Never seen that one before, but really cool!
KMFDM exists since 1984 and in all these years they released ten albums (plus remixes albums as well) before their new one: ATTACK. It took three years from the last CD titled Adios to release this new one because some band's members leaved. The core members Sascha Konietzko and Raymond "Pig" Watts teamed up with Tim Skold, Lucia Cifarelli (Universal Music Group recording artist), Bill Rieflin (Ministry, REVCO) and signature vocal diva KMFDM style mainstay, Dorona Alberti to release this album. I'm not that familiar with KMFDM's music but this new album is what the fans were expecting for: energy, melody and tons of distorsion. Maybe some melodic solutions, like on "Save Me" or "Superhero", are almost "pop" (even if buried under tons of industrial sounds) but during the fifty minutes of the listening there's nothing that will disturb too much their fans because the band have still their characteristic ultra-heavy beats based sound. If you have been disappointed by the MDFMK CD be aware that this is a come back to what KMFDM was.
Interlace was conceived almost ten years ago and has gradually developed. Other artistical engagements delayed the realization of the project until the fall of 2001. Subsequently the debut album Innuendo was written and produced during an intense three-month period. I don't know into what projects were involved Interlace's members but for sure they aren't newcomers of the electronic scene. Even if INNUENDO is their first release it's a mature one and contains ten intense tracks filled with tension and pain. Some symbols used on their graphics recalled to my memory the latest Fear Factory (also because the second track is titled "Soul Of A New Machine", just like F.F.'s first album) but this one hasn't nothing to do with distorted guitars and stuff... Interlace's music, to tell the truth, isn't striclty e.b.m. either: each track is a mid tempo one and has got a rhythmical linear structure. The thing that interested the band most seems to be the melody (the voice isn't treated that much and is well used) and the atmosphere they were able to create, betting, in this way, on their composition skills mainly. Did they succeed? Well, yes, even if in my opinion they used a similar structure to compose the songs: just a little bit of rhythmic variations and we would have the best electro release of the month.
Gee, after their first release "42 4C 41 4E 4B", Blank did it again. If you want to refresh your memory just go in our archive section and read the review of that CD along with the interview I did. Anyway, for the lazy ones, just to make you understand, we're are talking about the most talented e.b.m. Italian band. I think that they're better of most of the foreign acts also but let's concentrate on this release for a moment. BRAIN TRIGGER contains seven killer tracks, highly melodic, pumpimg that can induce long dance attacks. Just listen to tracks like "Brainstreams" or "Perception" and you'll agree with me! As usual, for you greedy ones, the band allow you to download from their website high bitrate mp3s of all the tracks as well the artwork for you to print. Support them!
Wow! When I opened the package and saw the name Mlada Fronta I got really excited for a moment, even though I didn't even exactly remember what they played, this band had a particular significance in my memory because they were the first band I ever interviewed in my music writing career ;-). That was back in 1993, "Illusiory Time", but I have totally lost track of them afterwards and from their discography I gather that that was their debut CD and after that two more releases saw the light in '95 and '99, before it was time for "Fe2 O3" to come out. The name of the album is the chemical formula that describes the iron trioxide element (I believe), which basically is one of the last stages of iron, commonly called rust... The beautifully packaged double CD actually has a very nice booklet with lots of pictures from old rusted industrial sites, so I think I got that right ;-). By the way the packaging of this product is absolutely mind-blowing and incredible! A luxurious 3 panels folding digipack with an awesome 20-pages booklet all boxed inside a cardboard shell: you got to check this out yourself! But let's go to the music. The bio tells me that this french one man band (Remy Pelleschi, one of the two founding members, is now alone) has moved away from the sound of their debut (Treponem Pal meet Ministry and Young Gods) already by the time of the second album and has instead developed the electro-industrial side of their soul giving up the guitars and every other traditional/human instrument, focusing on atmospheres and beats instead. The former of these two CDs, called "Fe2", is the more atmospheric one, where floating and extremely cinematic ambient music with spectral stereo-plays meets beautiful dark electronica, while the latter, "O3", presents us with fourteen tracks of rough hardcore industrial beats mixed with hypnotic and pounding dancefloor material. When I say cinematic, I mean it! Not only this music would be very suitable for a number of movies I can think of, but it also is filled with voices from movies that I know I have seen ('cause I recognize the voices and what they say) and it's interesting to hear those little speeches in a record... Also don't think that it's all fancy trancy background music only, there actually are beats and song structures that develop into full body compositions. The really nice thing about it, though, is that the balance is kept all the way through the two CDs and it never gets boring or too intense (is there such thing in music as too intense anyway?), so when you are listening to the first CD there might be some sprinkles of industrial beatz here and there, in the same way as the second one, the more aggressive one, actually opens up to layers of calmer moments of electronica and soundscapes that maybe enhance the hypnosis of the overall experience. The chemical approach (further emphasized by the songs' titles) and the experiments Remy has been doing in his audio-laboratory have definitely lead to a new and exciting formula that I recommend you all to check out carefully! The album is very interesting and multi-faceted and a quality production and very good sound help the impact of such a complex opera as well! By the way, there are five remixes by Orphx, Savak, Dither, Zonkt and Kaltesglas.