Thirty-six hours on a train could become a so mind-altering experience for the most inveterate traveller that you can easily argue it could be a prodrome for mystical experiences and result into a safe-conduct for any kind of barrier, which locks any door of perception. Jacob Burns, former bass player with Scottish band Damn Shames and one of the youngest force of post-punk experimental band Cindytalk, was none the worse for such a train travel across India (hopefully not for a delay or I could surmise this record could have been more harsh and bloody furious than it is...) and maybe he couldn't imagine after he stepped down the train, the sensorial feast he experienced inside Tundla Station could be so inspirational. According to his own words "the arches of the place were alive with birds, flicking off the walls and the top of the crowds, delicate bodies who seemed drawn up, in ever more numbers, to the vaulted roof, where they were coming into roost. The host of them were all singing, in a high, pure pitch that was contained and multiplied by the masonry of the station into an incredible noise, loud but not painful". The second source for inspiration Jacob poured into "Starlings" was his toing and froing over East London Line. Both of these two excitements astonishingly merge on this one-track album, whose 9 parts are easily recognisable while sliding on impressive sonic interbreeding between tweets and chirps on one side and mechanical clattering, puffing brakes, jumps on rails and other typical noises the ear usually grab during a train journey. An appetizer of "Starlings" already delighted eardrums of all those who bought the July edition of The Wire Magazine's Tapper CD, who could confirm the remarkable way this sound designer followed to encapsulate two of the most proper juggernauts and inspirational sources for many contemporary electronic jugglers: transport and birds!