Chirugie Esthetique - a name with which I am still familiar with: it was in 1992, when this Swedish EBM-/Industrial-onslaught came up with 5 tracks published on the 'Malleus Malleficarum' compilation, brought to us by the small Death Publ. label. The music of these underground marauders has been a driving EBM/Dark Electro-inspired sound-design with some similarities to in those days rising projects like X Marks The Pedwalk and/or FLA at their best moments. So I always wondered that this project couldn't reach higher attention throughout the years. At least until today - 20 years later after this compilation debut, Complete Control Productions rewards us hungry listeners, who always lurk for new forces and talents, with this official debut album under the new moniker Guilt Trip. Yes, I had meanwhile to learn, that they've already renamed into Guilt Trip around 1999 and that they have self-released three albums in between. But it's clear, that these happenings around this Guilt Trip / Chirugie Esthetique - project have been mostly unrecognized to the international audience. So here they go and return like Phoenix out of ashes. Stylistically the music has developed and it can reported about changes in their expression. The often pronounced Canadian influence has obviously taken control of their compositions, Skinny Puppy, Cyberaktif, and almost some FLA-like influences you'll get to hear, while Guilt Trip are far away from being clones. Definitively Puppy-inspired somehow comparable to those melodic, classic tracks like 'Worlock', 'Testure', or 'Morpheus Laughing' are their rather mid-tempo-based tunes like 'Inanimate', the ominous and creepy 'Life Spit Love', or 'Braptism'. 'Inanimate' is also extra available as a 2-track digital download version, which features with 'Oppression' a non-album track. On the hand this duo offers us some straight, nearly American-Industrial-like tracks like 'Headplate', 'Breathe', 'One a Week, Twice a Day', or 'Crack Up', which all feature aggressive synth-bass sequences, snatching male vocals, and a solid kick- & snare-work, which should be able to fill the floors of alternative-/dark-clubs worldwide. Especially their excellent programming skills for ripping bass-lines have to be named as being one of the most remarkable points of their production process. Although holding a raw and tough produced sound-outfit in my hands, this duo hasn't lost its sense of humor: the track 'The Bright Side of Lies' earns a cup for being the most inventive song-title, maybe side by side with Snog's classic 'Born to be Mild'? Only good and promising things to report of this latest signing of the Swedish CCP-label, which rages pretty much against the daily, mediocrity Hellectro-overdose. Definitely music for elders and supporters of above mentioned idols, but also perfectly designed for all Electronica-listeners, who are longing for compositional depth. In short: a must-have album!