When I heard this record without checking anything related to the release, neither title and references nor musician's biography, one of the first thing I thought the players could have developed an addiction from Ballance, a videogame issued by Atari, belonging to that kind of games causing anxiety especially if you try to play it when you're drunk or differently gone. It's quite easy to imagine it: you just control a ball you have to lead till some checking points placed along difficult pathways hanging over the clouds, possibly avoiding the ball's falling in the void, but the music which keep company with the gamer over the thirteen levels is so outstanding that it has a primary role for the success of the game even if it's quite simple. The "distant" acoustic tones, some doublebass gong-like strokes and even the sounds of some wooden ball rolling over some surface I've listened in the first track "Kirch's comet" - referrinf to the so-called Newton's comet, the first one discovered by telescope - activated such a memory, but the style reprises such an idea here and there all over the recording, whereas this French duet made up of the doublebass player David Chiesa and the guitarist Jean-Sebastien Mariage (who also plays guitar with Hubbub and Chamaeleo Vulgaris) pointed at the remote region of the Oort cloud, an hyphotesized spherical area considered by some astronomers as the cosmic area from where the comets start their route crossing so many times the area of Solar system as a source for the inspiration of their style based on acoustic improvisations. They look like following their route, able to kindle amazement and apprehension, with acoustic sparks and a way of performing fitting the matter: taps, raps and flaps on guitar or doublebass chords have been placed in intervals, which are wide enough to give the listener the possibility to hear the vibes and the dying frequencies they emit till the moment the wave oscillations gradually turning flat, what looks like a sonic transfiguration of a comet's tide, while the instuments seem to echo their halo and the fascinating comas they draw in the sky. A record which is going to be appreciated even by those listeners who like contemplative stuff, even if they don't really cope with improv music.