Alex White works predominantly with electronic music, but Transductions is based almost wholly around a disklavier- a MIDI-controllable yet acoustic (and seemingly extremely expensive) piano- which is being driven through programmatic or machine-output patterns. Consequently, the result sounds like the work of a classical pianist who’s going a little bit mad.
The variation comes from differing levels of chaos. “Slow Descent Of Wooden Window”, despite its name, is one of the noisiest and least obviously structured pieces, while “Cheekbone Against Window Of Train” is calmer and more solemn, evocatively reproducing those senses of travel and the slow travel on raindrops on glass.
Each track title describes a transfer of energy, yet I have to say that overall, the feeling is more sedate than energetic. Even shorter more active pieces such as “Bicycle Rear Wheel Lateral Movement”, thanks to their enchanting and slightly fragile acoustic sound, have an effect that’s a little like listening to a waterfall- while it’s a wall of seemingly unmanaged noise, it flows in such a way that it feels like a single natural texture.
Despite the unique methodology behind it, the only criticism I feel inclined to level at this release is that it sounds much like the simple work of an experimental pianist, sketching textures with their fingers alone, and if you hadn’t read the accompanying blurb to tell you how it was generated, you wouldn’t realise how it had been formed. But nevertheless it’s a rich avantgarde piano work that’s worthy of attention.