There’s a persistent and broad human fascination with abandoned human-made spaces, presumably tying in psychologically with the appeal of post-apocalyptic stories. I don’t understand why it’s appealing but I’m certainly one of many who are drawn to and fascinated by these images and ideas of failure and decay. Unsurprisingly then it’s a concept that I’ve heard expressed in experimental music several times now. Most typically it’s ripe conceptual material for pure ambient work, or for drone soundscaping.
This Still Und Dunkel release takes an approach that’s slightly different, but not excessively so. Certainly it’s long dark and atmospheric, but there’s a strong cinematic tension and electronic pulsing that crosses drone with the darkest aspects of techno. There’s found sound from abandoned places included in the recipe, but never really foregrounded. It’s slow and deeply moody, but there’s a latent sense of energy underneath it that’s somewhat at odds with the ambient emptiness normally used to portray abandonment in sound.
Opening piece “Lure” is an epic 18 minute work that initially brings bass rumbling and extra tense sounds before gradually settling, of sorts, into a slower-breathing series of dark washes. This sets a tone which is generally maintained throughout the rest of the lengthy work. “Seagull Night” takes the waves idea and brings a crisp, non-abrasive, lo-fi distortion aspect to it, that gradually gets drawn out, time-stretched and stuttered into woodpecker-like rhythms that transform somehow into gunfire- a fascinating experimental success, and a highlight. For pure atmospherics, other notable tracks include “Colossus”, and the strange sense of journeying, possibly commuting, that fills final track “Transient”.
“Hallway”, with its steady ticking, relentless two-note bass pattern and impenetrable spoken-word noise wall is one of the most industrial moments, a near-gothic ear-scrub that’s refreshing and immersive- really strong work, albeit not in any sense evocative of abandonment at all in my opinion. It plays nicely against tracks like “Flicker” which take a similar sonic palette in a more abstract direction.
It might not be as barren or empty as the concept may suggest, but if dark electronic atmospherics are welcome, then take a deep dive into this- it’s certainly worth it. Not every track is a winner- for example “Rise” feels a bit over-familiar, and 78 minutes makes this a release that perhaps overstays its welcome just a little, but there’s plenty to enjoy here, especially with your eyes closed and your ears open.