To clarify some expectations at first, this is neither Industrial nor a Symphony in the common used sense of these words. From the first hi-hat sounds it's pretty clear where Julia Bondar aims at; the underground dancefloors. Deep Techno with heavy throbbing basslines guides you through the dark of the night. And there are plenty of dark overtones spread on this 7 track album.
"Strength In Softness" is an acidic opener but all doubts are pushed away with the intense bass line. Straight on follows the pre-released Single "Fire" featuring Nero Bellum (of Psyclon Nine and Not My God) with a Twin Peaks reminiscence in hushed Voice and Lyrics. A great track not to be missed.
The tempo given is now even more tightened with the first track Julia recorded for her third album; "Running With The Wolves", 7 Minutes plus and nearly the longest track which could be extended easily into an even longer tribal influenced anthem for my tastes.
A heavy machine beat, delayed echoes of handclaps, an swirling and demanding sequence above an ruthless sub bass. "Power Of Presence" is slightly more playful but again heading straight home, not without giving the listener a memory of euphoria to hold on.
Her sounds are generated nearly complete with a special manufactured analogue modular synth system by endorphin.es productions which is the other side of her interests and adds to the amazing recognisable difference in comparison with many current tracks. The clear production and the full sounds make listening to an audio panorama which reminds me positively of the joy of testing your stereo set-up with the latest Yello.
The broading atmospheres add even more to the movie like experience and I had to take this right away for listening with headphones while moving around the city. While not in Barcelona it was a pleasure as the desire and the urge behind these tracks is capturing and comforting at once.
The second half starts with "Overflowing" which has an unexpected bouncy beat and bumping bass paired with a sequence like a shiny silver-line on the horizon before it gets even more positive with "Best Intentions".
Mellow bouncing beats meet symphonic sounds (finally); all is nice but my attention is getting lost for the first time between synth pop and sci-fi score impressions. A little more vocals could have spiced this up favourable - as it is it's just too longish and then turning sour. The positive up-beat dancefloor is not really her strength and looking at her background from minimal, darkwave to electro and techno it's obvious she's continuously testing out her equipment and possibilities. Remarkably her way of working includes a lot live performing before anything is shaped into a release.
Back to the dark zone where Julia is obviously more comfortable - "Inner" is a mysterious outro, a coming down conclusion without giving any clues away. Like the picture on the cover - this could mean anything or nothing at all, open to interpretations. Anyway, Julia Bondar is an versatile artist shaping her way forwards.
Leaving the distracting title and image besides, Industrial Symphony is a strong Album with only few weak points and a pleasure to listen to.
(The LP is going to be released on September 16t, pre-orders are possible)