I assume that most of you as most of the people into ambient music are quite familiar with the name of Steve Roach. I would also include most of the audience following what gets normally labelled as 'new age', that I personally consider more a way to functionalize - sometimes in a not so guessed way - music belonging to different genres, that the well-known social and cultural phenomenon and set of sometimes freakishly syncretic beliefs of new age. Steve could have become a sort of spiritual guru for some of this kind of audience after some of his recent albums - "Spiral Revelation" (2017) and "Molecules of Motion" (2018) - received two consecutive Grammy Award nominations as New Age Album of the Year (a notorious contest won by big names like Pat Metheny, Yusef Lateef, Andreas Vollenweider, Peter Gabriel, Peter Winter or Enya), but this aspect is not necessarily an entrypoint to the heart of music lovers or simply audiophiles. By the way, this recent output, pushed by the awesome imprint by Sam Rosenthal, can satisfy both listeners who love synths and sequencers and those who talks to angels or other alien entities by burning tons of scented oils and coloured waxes. Including three long suites, recorded at the Timehouse studio in April 2020, Steve immediately brings the listener into a lavishly austere suite of flowing synth brasses and sort of whistles over the 32 entrancing minutes of the opening "The Radiant Return", that slowly pour into the central "In Present Space" (16 minutes lasting) after those cosmic whistles temporarily dissolve to come back as isolated beams of light in the darkness, evoked by a slightly different set of reverbs, that seems to support a sort of expanding movement of the above mentioned sonic entities. If audiophiles won't be overwhelmed by trance, sleep or boredom, they will appreciate more "Reflection in Ascension", the third stage of this album (other 26 minutes to be added to the listening or meditative session - depends on your expectations!), where Steve feeds less fluffy dynamics by nice percussive elements (I guess maybe stones and woods). If some mystical experiences will be somehow inspired or triggered by the listening of this album, please share!