A Pond In My Living Room is constructed predominantly from multitracked bass clarinet recordings, layered and processed into steady beatless hypnotic ambiences. Sparing use of other noises- which may in fact be clarinet-sourced but are so processed it’s hard to tell- add a little sprinkle over what is otherwise a very pure and sincere expression of resonance.
I’m a sucker for a lovely clarinet, and while the sustains and thick reverberations here pull the tones far away from the traditional instrument’s sound, that rich timbre is still present. The hollowness of the production is a little alienating, and the resonant frequency responses are a touch metallic, making the overall feel of the album surprisingly inorganic.
The differences between the tracks are subtle and well segued. The first two track have distinct and different pitches of tone that sound not unlike tubular bells. Third track “On The Window Side” has a higher, more flute-like quality and adds a steady slow plucked light bass note, and occasional sounds like processed and distorted tap noises which increase the sense of homemade domestication compared to the other pieces. The final track has a more ebbing and fragile tone, almost like pitched wineglass playing.
Twisting bass clarinet sounds into melodious drones and super-slow looped chord patterns may not be an innovative concept in itself, but the straightforward approach and pure quality of this release make it a big success.