Miguel Angel Tolosa has contributed to and mastered several releases on the SOFA label but this is his first solo outing- a tight, moderated collection of drones, washes and passive sound, fusing and filtering electronics with sound sources detached unrecognisably from their origins. It’s mostly windy and hollow, but sometimes sub-bass. Instrumentation and process both become irrelevant.
The result is for the most part rather familiar- the echo chamber effect of distant deep oscillations, the sense of being trapped in a large bleak room with a busy city outside, this is certainly territory that has been audibly walked through before. Everything here is washes and reverb, there’s no percussive element at all- just curves and rumbles with a fairly purist sensibility. Rain and thunder on “Sol de plomo y purpura” and a couple of bell chimes on “De un pais de hierro” are exceptions that don’t jolt you.
Tonally it’s not quite as barren as the artwork may suggest. The purity of some of the metallic tones is borderline optimistic at times.
Many of the pieces are surprisingly short (10 tracks span 41 minutes) which prevents almost any of the tracks from elongating into a mesmeric familiarity; just as you’re beginning to accustom yourself to the atmospheric tone, it stops- sometimes a little abruptly- and a new tone begins to creep in. I do wonder whether some of the pieces should have been segued into one another for a more immersive listening experience, or whether some of the pieces should simply have been longer. When the tracks are allowed to live for longer- on “Sol de plomo y purpura” and “Fragmentos de ti”- it works well.
It’s a bold and rather too brief musical statement as an album, not too steeply infused with any kind of unique sonic identity but certainly both pretty and polished.