Satoshi Takeishi is a well-known and experienced percussionist with a diverse and decades-long CV. The press pack comes complete with photos of him surrounded by drums and other percussive instruments. So listening to Premonition comes as something of a major surprise… there’s no percussion in it!
Inspired by Franz Kafka’s “The Trial” and originally intended as a temporary score to a film, this is stripped-down drone music- though I might prefer to call it ‘hum music’. From a synth, a ring modulator, an echo pedal and a bunch of computer pitchshifting comes a very pure soundscape of glacially-stepping sine waves.
The shifted alternating tones of “Abandoned Shadow” is the closest the work gets to conventional melodic progression, turning simple oscillations into an electronic ballad. In “Glimpse Of Silence” the modulation becomes more akin to alien vocalisations reminiscent of late 1960’s Radiophonic Workshop noises.
“Behind The Door” has, to contradict what I said earlier, a rhythm that’s almost percussive edging in with so much subtlety that it doesn’t break the flow. “Dichotomy Of Noise” toes a fine line between random arpeggiation and percussion and is the most jaunty and off-kilter section, it’s practically tongue-in-cheek. The opener “Prologue” and closer “Epilogue” bookend this relatively short album peacefully and appropriately.
It’s a beautifully restrained and simple collection of simple electronic ambiences with a net result that’s surprisingly warm and timeless. To me it’s more retro sci-fi than Franz Kafka, certainly, but I’d recommend it even more for that.