Tereza is a collection of angular, glitchy cold synthesized soundscapes, mostly arhythmic yet still percussive. It’s a January release that conjures images of some of the less mellow aspects of Northern winter weather.
There’s a variety of moods here, ranging from the expansive emptiness of the contrarily-named “Closers” to the threatening claustrophobic spikiness of “Blue Strobe Pastiche”. Each piece tends to around the five minute mark, which is mostly fair as the progressions and evolutions within each are subtle, though not non-existent. In the final minute of “Closers” there’s the distant sound of techno, as though you’re stood at the North Pole surrounded by snow but suddenly you realise there’s a nightclub two miles away.
There are faintly Eastern and ethnic tones in tracks like “Ode to the Past, Present and Future” and “Fusing Zeitgeist” which seem anachronistic in the mostly icy environments, yet they end up fitting rather nicely and giving the album a more distinct identity overall. Meanwhile, more esoterically, “Airflow! Velocity” samples something akin to the sound of trainers (sorry, ‘sneakers’) on a basketball court while a bulldozer approaches to demolish the gym- sonic combinations so random and disassociative that they stop being evocative of anything and become attention-seekingly weird in their own right.
The latter sections of the album settle down somewhat, from “Dogville” to the end, is mellow longer tones prevail, natural piano noises tinkle and the sidechained processing calms.
Overall it’s an unorthodox twist on a fairly well-established cold soundscape style, with an interesting if not constantly welcoming character.