I already quoted this amazing project by New York-based accomplished and talented cellist Erik Friedlander, while introducing "Nothing On Earth," Erik's soundtrack for the expedition in Greenland by Mick Abrams and Murray Fredericks. A particular cinematic nuance is listenable in the sound he developed together with Japenese talented musicians Satoshi Takeishi (percussion) and Shoko Nagai (piano, accordion, and electronics) as listeners can readily perceive in some tracks of this newly assembled album, which look like portraits such as the cheeky tango they crafted on the opener "The Seducer", the gentle gipsy riding on "The Risky Business" and the exciting "Flycatcher" or the almost grotesque chamber music scherzo of "A Single Eye", but it's not the main feature. The stylistic adhesive cementing the twelve lovely tracks they recorded in "Rings" is the way the trio build the loop-based composition approach by Erik in each single song, who doesn't sound repetitive at all, due to the varieties of music styles by which Satoshi and Shoko implant during their sonic landscaping. Don't expect anything really super revolutionary, but just some well crafted good music by three brilliantly peppy musicians (not a small thing nowadays). In my opinion, the better way to appreciate this feature is focusing on the repetition on strings by Erik and almost unselfconsciously sink the delicate piano-driven melodies and the likewise sensitive or pleasantly faster tapping on percussions in between vibrant or lazier moments, that could let you imagine Black Phebe were aimed to give a sound to an interstate between fiction and reality for secret admirers of daydreaming, who keep having a head on its shoulders.