And here we go again with Muslimgauze. Almost 150 releases in 20 years (this would be no.127). After a series of sold-out limited edition releases (such as the four LP box set called "Tandori Dog", a nine CD box called "Box of Silk and Dogs", the "Iranian Female Olympic Table Tennis Team Theme" CD packed on a table tennis paddle etc) for which there is a subscription plan with discounts available from Staalplaat, this untitled CD (Muslimlim 028) with a red-filtered picture of people around a fire on the cover, presents ten songs with repetitive low-freq dub/d'n'b electronic bass lines, minimal original percussions, some other more electro-percussive patterns, enchanting middle-eastern female vocal lines, occasional instruments that sound like an indian sitar or a flute and this pretty much constant distortion in the background. The entire album has this low-fi thing going. I don't know if that is a choice (you never know what people do or intend to achieve with their records when you deal with experimental music) or if it is just how these records were found/mentained/archived after his death. Besides the permanent thin statics in the background (like if you were listening to a poor quality radio station or to streaming highly compressed mp3 or real audio files...) there are distant things you almost can't hear and especially in the first song there are these extremely annoying interferences (the sound gets very loud all of a sudden for just a second and then goes back into a volume that you thought was normal level, but that is probably a lot attenuated if you consider these peeks that come and go as your normal 0dB level). Also the sounds sometimes peeks and distorts or goes to the left side of your stereo speakers for a bunch of seconds... It's very weird, but considering that the bass line pretty much seems constant it would make sense if they told me that it's been overdubbed or that those spikes are intentional... Anyway, this is it. I guess you can consider this to be the normal Muslimgauze playing with distortion as if it was another musical mean to experiment with, pushing minimal percussion patterns to the edge of saturation, using subtle disturbances as a tool to stress people's listening experience and pushing the limits one step further, or maybe I should say 5dBs up! It's hard to relate to Muslimgauze's discography in terms of "evolution" since we (or at least I) don't really know whether this record is old or new, if you know what I mean... But my last thought definitely goes to the Middle-East, where blood-baths in the name of a dead christian god, western civilization, financial power and world domination are taking place every day for the past decades and nobody cares. Nobody knows what Muslimgauze would have to say about it... And please let's not forget that that was the very thing his music was inspired by and was all about... Let's not think for a moment that Muslimgauze is just music In fact it's so much more than that, so much that lately, with all what is happening, he would probably be inspired for the rest of his life, if he only was still alive... Let's hope the madness stops and ALL people learn what respect is, how to use it and act with a little more intelligence to put an end to this useless and bloody conflict.