The name of the brilliant Australian composer and multi-instrumentalist Oren Ambarchi is maybe the better known name of this trio, having been one of the most incontinent musician in the last 20 years by means of an incredible number of collaborations - the most famous ones are maybe those with John Zorn, Phil Niblock, Sunn O))), Evan Parker, Jim O'Rourke, Keiji Haino, Z'EV, Otomo Yoshihide and Richard Pinhas - and solo works, but it could be a matter of statistics as the Italian virtuosos that grouped together Oren have a likewise enviable musical path. Electric bass player Massimo Pupillo was one of the founding member of jazz-core trio ZU and could brag about excellent collaborations such as the ones with Mats Gustafsson, Paul Nilssen-Love, Lasse Marhaug and both Brötzmann (father Peter and son Caspar), while Stefano Pilia worked on many awesome sound installation after a strong activism in the Italian punk and rock more or less underground area and grouping together two other big names of the contemporary scene like David Grubbs and Andrea Belfi. I could have been influenced by the inspiring cover artwork that Sara D'Uva made for the silk-screened sleeve of this release, but their guitar-driven blend in between progressive, avant-garde, post-rock and drone sound to me as a possible soundtrack for this sort of Kali Yuga that mankind is currently experiencing at the mercy of the numbing power of media and technology. A plenty of whirling emotions and thoughts are going to run over the 33 minutes lasting suite from the very first sonic slices of the first titled "Burn" - whose preface sounds like the one of a sci-fi movie - to the rising shimmering explosions of the last minutes of "Shine". Have a check.