Well, okay, sometimes things just slip through the cracks here at Chain D.L.K. as this was released just nearly a year ago, althjough I personally haven't had it that long, and when I get a pile of stuff to review, I review 'em when I can. Anyway, Akathartos is the project of Samuli Reivila, from Tuusala, Finland and 'First Nightmare' is Akathartos' debut release, a mini-album of six tracks, a little over 32 minutes. He describes it as Orchestral Electro-Industrial, and that's just about right, but I might modify it to Gothic Orchestral Electro-Industrial because it does have a very gothic tone to it. On this recording Reivila does it all, except for the female vocals provided by Satu Vaisanen, which are a nice touch. Akathartos cites its influences as Hans Zimmer, Suicide Commando, Wumpscut, Hocico (among others) and it shows in some ways. One of the most obvious is the processed, harsh distoro-vocals used by the latter three mentioned. I'm not really a big fan of that particular vocal style. In my opinion it works okay for EBM and some electro-industrial, but I think there's been a move away from that lately because it's been just so overdone. Fortunately that isn't the only type of vocals you'll hear on 'First Nightmare,' but still it plays a major part. Choral vocals play a big part in this work too, and in fact, that's the first thing you will hear. This helps to give Akathartos a huge sound, something much larger than you'd expect from a single person. The orchestral arrangements are heavy and gothic, nearly Wagnerian, or akin to some of the more morose Russian composers. Lots of drama and pathos in a neoclassical setting with an electro-industrial edge.
If you're familiar with Swedish neoclassical band Arcana, imagine them fused with say, Wumpscut, Hocico or Front Line Assembly, and you'll get an idea of the overall sound of this project. There are some places on 'First Nightmare' where this combo works really well together, and others where it sounds like two distinctly different entities. Satu's vocals add a beautiful dimension to the music, and although I wouldn't say she has a stong voice, she does have a pretty one. As for Samuli's voice, during the more neoclassical passages, he employs a less harsh type of vocal processing, and when the beat becomes more electro-industrial, the vocals get harsher. One problem though is the production, and maybe even the mastering. There is a lack of clarity and sharpness that is a hallmark of home production. Limited budgets and limited studio experience tend to give these kind of results. Here I wouldn't necessarily categorize it as bad, but with great studio and mastering skill, it could have been so much more. It sort of comes across as a live recording, and if this is actually what the project sounded like live, Akathartos would have no trouble selling out shows.
For a first outing, 'First Nightmare' shows just what this talented Finnish composer is capable of, and that's something that a few more-seasoned artists working in Neoclassical Darkwave or Electro-Industrial genres that I've reviewed here have yet been able to prove- something engaging and compelling that doesn't just sound like everybody else working in the same field. Akathartos is defintely one to watch for in the future, and enjoy in the now.