An existentialist listen in an increasingly existential world, Russia-based Umpio's meditative Opium Electronix Vol IV edition renders the meaning of life, meaningless. A cursory visit to the Umpio website proclaims, “There's no scene like no scene!”, now how existential is that? Or let us take the project name, Umpio, which means 'Vacuum' in Finnish, we are constantly directed to The Emptiness. Listening to this album is probably what being a part of the SETI Institute must be like, scanning the vast, endless heavens for an echo of a signal from some sentient civilization. Sure, you get the odd, random burst of radiation fluctuations, the flutter from a distant quasar, or probe signals bouncing off natural satellites. However, if you listen to deep space ambience long enough , you eventually get struck with the realization that whether there are other sentient beings or not is moot, we are all pulsing along with the Universe in unison, regardless of cognizance, a blip in the infinite. Opium Electronix IV is a live recording (in Finland) of a noise session by Pentti Dassum, the front man behind Umpio, culled from improvised feedback noise, electrical contacts, radio static, and tape loops, among other equipment. The results straddle the line between noise and ambient and what at first listen seems like empty static yields microcosms of life during deeper listens. These noises ebb and flow like tides against a cosmic shore with chirps and hums not different from crickets and other insects on a beach at night. A case where art unwittingly reflects nature, we are all a part of the void and the void is within us. A not unpleasant listen that facilitates meditative thought and deep insights.