Wednesday, June 3, 2020
«« »»
Artist: Richard Pinhas & Oren Ambarchi
Title: Tikkun
Format: CD + DVD
Label: Cuneiform (@)
Rated: *****
The brilliant phiosopher and musician Richard Pinhas, the man behind the legendary French rock band Heldon - when he founded Heldon in 1974, Richard was an assistant professor of philosophy at Sorbonne as well as a lover of science fiction, two branches of human knowledge which heavily influenced his musical outputs -, join his sonic forces with Australian ground-breaking guitar player Oren Ambarchi, a proper prodigy in the enhancment of guitar sound with equalizer and the stylistical flirtation with krautrock (have a listen to his excellent "Sagittarian Domain" in order to have a recent evidence of the fact my words are not shallow praises), for one of his two simultaneous releases. The complementarity between Richard and Oren techniques and aesthetics got already successfully tested on Pinhas' recent album "Desolation Row" and get enhanced by the contributions from drummer Joe Talia, Pinhas' son Duncan, Merzbow and Eric Borelva and perfectly express the theme of this release, which refers to the idea of Tikkun ha-Olam, one of the most important concept of the Kabbalah according to Pinhas' personal interpretation: "the concept of Tikkun is immense, very very big and important, not only in the original Kabbalah but in all the paragnosis "jewish" theoretical concepts. It is about the spiritual creation of our world...a kind of parable... to repair something deeply broken is the point...and Tikkun is the concept that this operation or this process can be named". The three long suites which harmoniously melt elements from progressive rock, krautrock, ambient, psychedelic electronics and dub mange to evoke the spiritual yearning of renaissance behind this esoteric concept by means of effected guitar rides, whose balanced sequences prop the groove up like sharpened spines, smooth stridencies, refulgent drumming, where the almost metallic layering of the initial "Washington, D.C. ' T4V1" and the gradual melodic decay on the centrl "Tokyo - T4V2" prepare the ground for the psychedelic acme of the release, the final "San Francisco - T2V2", where electronic gurgles and scraped guitars coalesce with the punctual appearance of Talia's drums, which boost the previous stridency up to an almost mystical experience.