Sunday, July 5, 2020
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Artist: Costanza Francavilla & Alex Infascelli (@)
Title: Bushwick17
Format: 12"
Label: ZerOKilled Music (@)
Rated: *****
There are many evidences about the widespread obsession with the 23 enigma, other ones has a sort of devotion for their own lucky number, but besides sporadic fans of Heaven 17 or East 17, I've rarely heard about people who like number 17 till the moment I've read some notes around this collaborative release by Los Angeles-based movie maker Alex Infascelli, who gained a considerable notoriety for having signed a number of videclips of many well-known (mainly Italian) musicians, and Italian versatile artist Costanza Francavilla, whose name got known by many music lovers for having been partner-in-art (and according to some rumors, a proper personal muse) of Tricky, who referred to her "the female version of me". Out of respect for their beloved number, they recorded a 17 minutes lasting improvisation in Bushwick, NY, with no overdubs, effects or any other frills by means of a couple of microphones whoich got placed in front of the wall of their performative space where Costanza played synths and Alex built entrancing guitar drones and occasional out-spurts on drums, but listeners could hazard more than one guess around the connection between what they recorded and 17. For instance, you could read 17 according to the typical way to mask other meanings by different typefaces (the most known is AK47, which could be translitterated as "a key for this heaven") so that you could read that number as "one-seven" or "one's heaven" or consider other "esoteric" meanings - the angels or demonds which can be evoked are 17, knight templar were 17, which represent the radiant power of divine knowledge according to other numerologists -, which could have some connection with the somewhat mystical halo fo their improvisation, or 17 could be coniderd their favorite moment of the day (5PM), their personal tea-time! The general atmosphere could recall the sonic rendering of a ritual to get closer to the divine or to some undefined source of inspiration, where the opiate sonorities gradually absorb the sudden drumming explosions, which get slower and slower as if they got anesthetized as well. The end of the recording is a little bit abrupt, but they had to exactly stop recording after 17 minutes...


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