All those who lied in wait for the new album of the whismical cellist, drummer and composer Andi Otto aka Springintgut, after his acclaimed "park and Ride" on the excellent label City Centre Offices, didn't wait in vein as Andi kept busy by wrenching and enhancing both his hybrid sound and his cello, which got turned into a "fello" in the meanwhile by means of the implementation of movement and accelerometer sensors on the bow, whose data got translted into MIDI through junXion and then manipulated. In reality the prototype of fello got exhibited on the occasion of STEIM, the indipendente Dutch Studio for Electro-Instrumental Music in Amsterdam, but Andreas gradually improved it with the support of artists from many different fields. The fascination for his brainchild as well as Andi's joy for his searing creative sparkles has been mirrored on this release, which vouches for his vivid inventiveness and gleans from the sonic and musical pond of the exotic traditions he got in touch with during his cultural expeditions. Some of the most engaging tracks of this amazing album have been recorded during his three-months lasting permancence in the German art institute Villa Kamogawa in Kyoto, Japan, where he produced the vibrant "Kamogawa Cycling" and the chirping "Western Kyoto", a couple of delicate sonic cameos which reflect a certain Japanese zest, resurfacing on other tracks such as the crisp J-pop and house-spotted tracks "Moustache Twisters" and "Moustache Or Something" or the final somehow pastoral glare "Ode To Yakushima". Splashes of Bollywood bustles spurt from the tracks he recorded in India, the peppy "Bangalore Kids", where Andi mixes a vibrant fello session with electronic house tempo and a field recording of a school boy he grabbed in Cubbon Park, Bangalore, and the brief squawking whirl of "Bangalore Crows" with vocals by Indian singer MD Pallavi. The cherry on top came from the meeting of Sasha Perera, the voice of notorious Berlin's Dub Techno band Jahcoozi, in Sri Lanka, who gave her voice for a couple of lukeworm tracks, "Bullet" and "Dizzy Heights", where Andi's Fello got entwined with amazing popping grooves. Echoes of Boards Of Canada and similar IDM acts resounds on the computational hiccups of "Teslaphasic Talking" and the oblique smudges of "Where We Need No Map", while the playfulness of Springintgut sound, whose affinity with jazz and so-called skweee is clear, protrudes on tracks like the above-mentioned "Moustache Twisters" or the jaunty "Goose Egg". This album deserves more than a listening.