Wednesday, September 30, 2020
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cover
Artist: VV.AA.
Title: Run Over by an Elevator
Format: Download Only (MP3 + Lossless)
Label: Bearsuit records (@)
Rated: *****
"Run Over by an Elevator" (people who understand some youngish English slang cannot but chortle about such a choice) could be considered a digest of the lucky and brisk headhunting activity by Scottish label Bearsuit as well as an opportunity to foretaste some of its forthcoming releases by this interesting label, whose driving force seems to be a strong link with (mainly Japanese) producers who keep on spooring the traces of authentic innovators coming from Japanese scene (I could mention a plenty of musicians and non-musicians in the roster of labels such as Schole, Daisyworld Discs, Teichiku, Wieden+Kennedy Tokyo Lab, Toy's Factory, P-Vine and many others), even if there are many tracks which could recall other musical grounds (the track "Descending" by emlp, acronym for "electronic music learning projects", by Edinburgh based musician and composer Mark Rossi - one of the tracks I liked most of this collection - partially recalls Icelandic Mum asa well as "Bees In My Feet" by Haq, collaborative project between Japanese n-qia and Scottish half of Whizz Kid Harold Nono which is going to debut on Bearsuit soon, could remind some moments of Slowdive's "Catch The Breeze") and a geographical connection with Scotland and Northern England, one of the most active musical workshop who gave listeners a lot of mindblowing sonic stuff. It's really hard to rank them, as the stylistical range is quite wide and even lo-fi elements fly high ona quality level, even there are some highlights amidst this jungle of stuffed animals and hunting trophies: the above-mentioned n-qia with the hypnotic voice by Nozomi and fuzzy electro-acoustic textures by Takma, the intriguing feverishness of "Metamorphosis Pt.1" by Polish style-drifter Bartosz Dziadosz aka Pleq, the bizarre toytronics of "Mosquito Bites" by protean anti-nuclear activist Amogano aka Ememe and the amusing and childish one of "People Today Started Runrun" by Takashi Mizukoshi's Suppa Micro Pamchopp, the magnetic abstract J-pop of "Chikyu Wa Mawaru" (Japanese for "Earth is spinning") by Bunny & The Electric Horsemen, the seducing downbeat by Taub, a collaborative project by appreciated Nonine label manager Me Raabenstein and Harold Nono, the sweet melancholy-tinged rustic idyll of "Family" by Japanese vocalist, composer and pianist Hidekazu Wakabayashi and Harold Nono (him again!), and "Comp no.209" by Canadian composer and percussionist Antonio De Braga, the entrancing pastoral awakening of "First Moments" by The Frozen Vaults, forthcoming project of a big ensemble made up of cellist Dave Dhonau, pianist Yuki Murata, violinist Tomasz Mrenca and producers Bartosz Dziadosz (Pleq) and Harry Towell (Spheruleus), the frugal lo-fi lullaby of "The Kennel Club" by Edinburgh-based duo Aging Children, the balanced mixture of rain-inspired mood, soft electronics and indie approach by Anata Wa Sukkari Tsukarete Shimai, the cinematic intro by Welsh experimental musician Nick Auskeur, the desiccate homemade groove by Doug Seidel...I'm just realizing that I've mentioned them all even if my first intention was an attempt to isolate some highlights, a symptomatic "mistake" about how this selection could be mouthwatering. Check it!

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