The petrified stern face standing out on the cover artwork's makes resurface to my mind one of the most iconic fictional character of the notorious L.Frank Baum's Oz books I used to read when I was a little child, the Nome King, so that my mind started to find any possible similarities out with this astonishing proof of sound ballistics by Swiss producer Marcel Gschwend aka Bit-Tuner and the fearful antagonist of Oz villains! Even if I cannot be sure Marcel doesn't like eggs (if you've seen the Disney movie adaptation of that story, you'll arguably remember the Nome King was killed by an egg, laid by Billina, the nuisance-hen Dorothy accidentally brought in Oz during his second travel in the emerald city!), his style, a juicy hybridization of ill-bient, booming dubstep and experimental hip hop, sounds rocky like the cells of any gnome and dim like the obscure underground hollows where they use to dwell. Another feature of this stony civilization consists of their habit of hiding jewels. Well, this could be undoubtedly a controversial point as you'll unlikely deny his skills in melting styles in a turgidly psychedelic way by mining authentic gold from previously drilled soils (especially in gorgeous tracks such as Traffic, Anger or Dizzer - what a guessed title! -), but you'll notice Bit-Tuner is inclined to bury the nice harmonics he assembles with layers and layers of heavyweight basslines or thrilling samples (I appreciated the sci-fi nuances of tracks such as the final Full Bass Bonus or the clocking abrasive dubstep of Nuclear Silence). Really bewitching stuff, which is potentially going to daze the listener...especially if related to some Oz stupidly happy villain!