One half of the harsh industrial band Snog, the provocative Australian musician David Thrussel finally comes back with another of his shrubby and scathing releases by which he's able to shrivel the most raving aspects of contemporary human history, most humans sometimes ignore, as well as to have a squint behind controller's curtains through the use of musical language inheriting elements both from EBM, techno and scattershot electronica, a plenty of references running on the razor-sharpened edge of conspiracy theories and political matters and by which he manages to move the listener's mind up without using any lyrics. The plot standing behind this new release entitled Full Spectrum Dominance ' issued by Ant-Zen in collaboration with the seminal Tympanik Audio -, like the ludicrous military doctrine inspiring the American Department of Defense according to which a joint military structure should achieve control over all elements, including not only the classical air, land and maritime warfare, but also information space (the so-called Cyberwarfare) and electromagnetic spectrum and what is known as Joint Vision 2020, the famous plan for world hegemony developed by Joint Chiefs of Staff and supported by DARPA, acronym for the Defense Advanced Research Project Agency, a funding body of the US Government and the Pentagon, mentioned as the fake client of this release, intended according to the fictitious words of a DARPA's officer 'to deliver to the men and the women working in some of the Pentagon's most challenging fields as inspiring soundtrack to their daily working life, but also to present to the general public information and a view hitherto unconsidered of some of the lesser known branches of our military' and the booklet included with this record explains the references of each track, alternatively quoting some Chomsky inspired anti-capitalist issues, the Hostmen of Newcastle upon Tyne ' being maybe the first example in human history of energy cartels controlling resources and inventing shortages in order to appeal to the unmerciful market rules, inspiring according Thrussel's words the nowadays cartels'¦ -, the manipulations of world bankers in order to generate illusions and hypnotize markets (The Wonderful Wizard of Ounce is definitively the funniest and most bitter title David could choose for 'affording' this theme!!!), neocolonialism, the inner mechanism of the so called 'free market', contemporary fears about forthcoming future and other actual more or less paranoid arguments.
His provocative joke seems consisting of wearing the mask of the controllers, spreading messages to the bovine masses in a witty and almost dramatic way, by using sounds as theatrical gesture and creating implicitly a possible soundtrack of our dark ages. From the musical viewpoint, Full Spectrum Dominance looks like an exhaustive summary of the previous breathings by the Black Lung, but I mostly prefer those tracks showing some ambience and atmospheric gears, such as the thoughtful and disquieting worried whispers of The Great Unconscious, an evocative collage of synthetic melodies standing as one of the best piece Thrussel had ever composed and which perfectly rendered the most buzzing divergence and the implicit imperfectness of any ordering supreme will, the disquieting beauty of the already mentioned The Wonderful Wizard of Ounce, the swarming concinnity of the bass intertwining some bizarre sounds in The Hostmen of Tyne, the dark sound granules of The Feminine Void which is going to carry your mind in the outer dumb spaces (!) and the gentle martial core as well as the stirred sounds on a disassembled march of The Neuroses of Nostalgia (another great immersive track!), but the most ominous techno crunched sounds you're going to hear in other appreciable tracks ' more easy to recognize by all those listeners which already tasted Black Lung's previous records ' should be considered just as parts of a whole. Maybe Full Spectrum Dominance is not so epic as other releases, but in my modest opinion it's the definitive proof that Thrussel's sound forging skills as well as its provocative grip reached some interesting peak indeed!