Roman Stolyar's "Credo" CD is probably one of the most free-jazz releases to have seen the light on Electroshock records. Progressive, jazz, fusion, electronics, experimental, ambient, traditional and world music all find a way to be heard on this release, with compositions spanning from '93 to 2000 that prove Stolyar's eclecticism and talent. The Jethro Tullish flute along with the marked seventies' progressive art-rock structures, the freeform jazz improvisations of piano, flute and other instruments, the unusual mixing of the standard ensamble's voices, the nice electronics that lays the grounds for acoustic instruments' improvisation, the occasional quasi middle-age/new-wave/celtic tunes, reverberated lush atmospheres, the almost Zornish nowave bursts of energy, the cheap found fake sounds (bells, brasses, strings, drums), the cymbal-generous fusion drumming, the experimental overall veil, the female vocals and lyrics of William Blake are but some of the pieces of this intricate and sophisticated puzzle. As always the art work is simply superb but this time probably even superior to the contents it represents. I am not going to argue with the choice of the sounds if indeed it was a choice, but I personally wasn't to enthusiast about those above-mentioned fake sounds (maybe live musicians would fix that) and some of the prog-jazz-rock passages of this CD. I am into and around a lot of jazz so it's not a matter of genres. There obviously are several good ideas and nice parts in this CD (for example the first and third of the three-part vocal suite "Songs of the Seasons"), I just didn't seem to find the key to understand it completely. This is the Russian composer's first solo CD but I am sure he's got an extensive background in jazz improvisation so I will look forward to see where this new direction will bring him and how he will develop his newly found electro-acoustic soul.