Berlin based duo playing the free impro salsa, it’s on Creative Sources and it belongs to the category of this label devoted to jazz but just the way a Creative Sources performer can mean/play it. Beside that, consider, as pointed out many times by many improvisers/musicians both coming from the latin area and from the north European scene, improvised music coming from the mittle-upper Europe is more fragmented, choked to the extent it may sound aphasic to an untrained ear. But we’re not untrained and according to our opinion superimpose is not aphasic at all, nay it arrives to sound really physical at times, I mean they barely articulate what could be the scrawl of a free-jazz attempt. As many other improvisers on this label they’re not afraid to eliminate every trace of melody and emotion from the crime scene. What’s left is the picture of an intransigent radical performance which have dynamic ups and downs where the duo passes from strangulated notes to autistic nervous playing. The good thing about their "modus improvvisandi" is these two gentleman sometimes focus on a phrase and start exploring it’s significance just as much as they need to give it a "meaning", the bad thing in the other hand is that while refusing every compromise with traditional playing they surrender to some ordinary free-improvising solutions. They are really intense when they catch the right train, but the risk as usual is to sound really ordinary in they rebelling to traditional music, but what happens when the "norm" is not the norm anymore? I think that’s the most interesting question. They offer a great range of sounds which is a great result considering we’re talking about a duo and during this live recording they avoid the use of any additive effect which I’m sure will attract all of the fans of the pure acoustic sound out there.