Some months ago while on the web I've come into Robe's myspace page and I've been positively impressed both by their sound and by the most of their song structures. This release came out on Snip-Snip that's David Reed's own label and let's say there's a sort of connection: actually Robe' sound, from what I've heard so far, in most of the cases is darker and heavier if compared to the music of Reed, but here it all has become more "foggy" and confirms the impression I've had they like to dissolve the drones in a magmatic scenario. It all makes me think to the movies of John Carpenter or David Lynch, but at the same time differently from many of their previous releases "the third cinder " paints a more abstract portrait of this band from Columbus. A simple selection of sounds and mainly drones surfacing and disappearing in suspension as shadows sucked in the mist, if some of the first noises may give the impression they've been influenced by some of the early experimental industrial masters (I was thinking to Death in June when leaving folk back home), I guarantee later the environment develops into a bad dream gone worse. Beside the peculiarity of having this deep cinematic feel, Robe have an interesting approach to dark ambient and post-industrial music that I don't find in that many bands of the genre. If you've never heard anything of this band from Indiana, remember they're quite heterogeneous thus you have releases where they've heavy guitars revealing Justin Broadrick/Final reminiscences and other recordings you could easily file under dark ambient. "The third cinder" is probably one of their most ethereal work but there's no doubt from what I've heard it doesn't betray Robe's identity and offer a good way to be introduced to the sound of this band.