I have to admit that I have never been a huge follower of dub. This is not because I have anything against the genre; there have just been too many other albums to buy. My main exposure to dub was seeing Twilight Circus open for the Legendary Pink Dots about 10 years ago and a Zion Train album that I somehow acquired. I’ve listened to a bit of ska here and there andlike everyone else in the worldI have Bob Marley’s "Legend" in my CD collection. All of that to say that this review comes from an outsider’s perspective.
If I wanted someone to like dub, I would give them this album to listen to. It’s a lot of fun (for example, how can you not like a song called "We All Have to Get High"?) and makes you move whether you wanted to or not. I suppose you have to keep it lighthearted; it’s hard to have street cred when you’re a dub band from Vienna. But they’ve been around since 1988, so they must be doing something right.
Here’s how they describe the album on their website: "An incredible fusion of hi-tech, vintage synthesizers and analog effect units, merged with solid dub beats, whilst experimenting with different styles that depart from the reggae norm." As for the music itself, for me the standout track was "Tiny Place Called Earth," which seamlessly integrates Rod Serling’s narration to a Twilight Zone episode ("The Invaders") into the music without sounding forced or cheesyin itself, an impressive feat. Other tracks of note include "When I Fall in Love," the incredibly catchy "This One Is About Flying," and the aforementioned "We All Have to Get High."
There are several covers on this album: "Wadada" (Dub Syndicate), "MPLA Dub" (Tappy Zukie), "Money Money" (Horace Andy), and "When I Fall In Love" (with the original Ken Booth vocals). You can check out some of their music at their myspace page (http://www.myspace.com/dubblestandart). This disc weighs in at 68 minutes and even features a video of "Island Girl," which mainly consists of a dancing dreadlocked young woman and island scenes.