Thursday, August 6, 2020
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cover
Artist: Halftribe
Title: Archipelago
Format: CD + Download
Label: Sound In Silence Records (@)
Rated: *****
Halftribe is the solo project of Ryan Bissett, an ambient/electronic music producer and DJ, born in Northern Ireland, residing in Manchester, UK. Since 2014 he has been producing his sublime music having released four albums and four EPs on labels such as Archives, Dronarivm, Vent Sounds, Dewtone Recordings and Silk Sofa Music. ‘Archipelago,’ Halftribe’s fifth full-length album and first for Sound In Silence, features eleven new compositions with a total duration of something less than 45 minutes. Bissett creates one of his best albums to date, skillfully blending together airy synths, soothing pads, hazy drones, delicate chimes, processed vocal samples, lo-fi plucked guitars, overlapping tones, looped crackles and calm field recordings.

Of course, all that is label promo description, but it's not far off the mark. On "Exposed" the listener is treated to a low, slowly oscillating drone tone with an intermittent low counter-melody and occasional chittering. "We Are Dust" begins with a slightly funerary vibe (loop) that is subtly expanded upon with cello and other minor low key elements. On "Broken Beams" an intermittent tone is struck over a constant background drone, then up turns a little melody. "Drops" is comprised of fragmented melodies over a held pad drone tone with a little bit of staticky noise sprinkled on it for good measure. The title track is comprised mostly of washes of noise drone with vague melodic content. "Fader" sounds as if it really wants to be a real song with voice-like melodic loops and a repeating half-formed melody. The undercurrent of rhythm in "Two Teaspoons Of Wishful Thinking" is the main thing that keeps this track alive, and is one of the tracks with the most musicality on the album, often threatening to become more than the simple idea it actually is.

Things head into the realm of abstract downtempo on the brief "Breather," but the follow-up, "Rejected," pulls the music back into elongated ambient drone, and "Subliminal" continues along this line, as well as "Imperfect," albeit with a little more melodicism. 'Archipelago' is an interesting work that sounds a bit like outtakes/demo ideas Eno never used for his Music For Films/ASmbient Series recordings, but that's not a bad thing at all. Once again, this is a limited edition of 200 handmade and hand-numbered collectible copies.

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