Loophole is a four-track EP that sees Berlin-based pianist Roman Rofalski supposedly channel his love for 90’s underground techno into a piano work- though let’s say from the start that the results are not techno, either piano-techno or otherwise. It’s a fusion that’s been melded before- it draws a lot of comparison to some of Christian Prommer’s works- but while Prommer and other artists have composed fairly purist techno-inspired but traditional pieces, Rofalski instead has adopted a more editing-heavy and processing-heavy approach.
On “Alpha”, the chopping up of the improvised acoustic piano sounds has an abruptness and punchiness that gives it a lot of energy, and it really feels like it has been composed after it was performed. “Sea”, by contrast, is initially a more ambient work, setting sparse individual high notes over a drone and effects bed derived but long detached from the low note sounds, before a gradual and decidedly soundtrack-like tension build-up in the second half, where we’re joined rather unexpectedly by cut-up drum sounds that give everything a more avantgarde jazz feel.
“Nagging” has a tense, unsafe feel thanks to its high string-scratching tones, before final piece “Redemption” is the track that comes closest to the EP’s techno-inspired pitch, with a more rhythmic approach and a nicely constructed repeated pattern of low bass notes and sharp-cut percussion- ultimately it still feels more like modern jazz than techno, but it’s very accessible, with crossover audience potential.
At times, the glitchy cut-up processing is a little reminiscent of Brian Transeau, and if you like his more mature soundtrack work, this will appeal in a similar way. If this were the soundtrack to a short film- and it sounds like it ought to be- I’d watch it.