Plateforme #3 was an idea Laurent Perrier had, inviting some musical collaborators to submit a selection of raw material of themselves, unrelated to each other, and challenging himself to assemble pieces built solely from that material. In the third of his own series, Perrier invited David Fenech to oversee the first of the two eighteen-minute, vinyl-LP-friendly pieces.
The result is not nearly as disparate or chaotic as the concept might suggest. The first part is one large self-contained evolution, in a direction not too often travelled, beginning with fairly upbeat rhythmic, acoustic percussion and slowly transitioning, over more than quarter of an hour, out of rhythm and into a gently abrasive drone space.
The second part begins much more mildly, with sporadic soft melodies floating in nothingness, before heading off in a different direction again- gradually bringing in glitching, stuttering synth patterns and delving deep into 70’s style analogue meanders. This time around the slow progression is from calm to tense, with delayed percussion and more structured patterns appearing as time goes by- though this loops back to sparkling and cathedral-hollow melodic ambiences at the end.
It’s a bold pair of works, and an intriguing pair in the way they contrast against each other. It fuses a more traditional analogue synth form with some fresh touches, and it’s a strong example of how to maintain interest without drama. Quality stuff.