Philip Quinn builds his dark electropop by starting with acoustic guitar songwriting sketches, then surrounding these with sharp electronica production and dark atmospheric synthesis to produce a collection of songs that sit somewhere between the more sinister side of synthpop, the lighter side of techno and the more accessible side of industrial. Perky and pure-sounding synth basses, cinematic synth-choir pads drawing out long minor chords, and sparing use of beats come together to form a grandiose-sounding affair.
With a title that’s a play on ex-UK Prime Minister Theresa May’s meaningless assurance that “Brexit means Brexit”, lyrically this is politically charged and frustrated stuff, notably in tracks like “The Indignity Of Labour”. However the vocal, as though lacking in confidence, is so heavily washed in reverb and echo that it’s often difficult to make out what point is being made- “Shedding Skin” being an example of this.
Highlights include “Gentrification”, which is a more overt and catchy throwback to 80’s and 90’s synthpop melded with curiously Tangerine Dream-esque meandering synth arps that works quite nicely, and final track “Social Nationalists” which plays a slow plaintive vocal against more driven and direct beats.
Overall though it does appear to be suffering from the general malaise affecting a lot of the UK at the moment, not just artists- a fatigue drawn from our political failures, backwards steps and the sense of inevitability behind the rise of right-wing views anathema to what we thought our country believed in. Tracks like “Of Late Capitalism” and “Dust To Dust” feel like they have given up, resigned to their fate, and they feel slightly languid and flat as a result, rather than a call to arms- though the latter redeems itself with an aggressive crescendo finale.
It’s a musical expression of complex feeling that’s quite engaging, but unfortunately there are too many patches that feel muddy or self-indulgent, making the result a little bit too alienating.