Italian Von Tesla takes the sonic palette of synth sounds more commonly found in more mainstream electronica and techno, and, by more conventionally musical methods and also via custom software development, breaks them down and disassembles them into structures that go beyond glitchy electronica and into more experimental and even randomised territory. However instead of the aggressive, gritty, “smash the system” attitude that this is sometimes handled with, this is a much much gentler affair- almost passive in its steady, undramatic layout.
Among the more accessible tracks are “Everything” (sorry, “E v e r y t h i n g”), an endearing bit of awkward-beat glitch that twists and warps in a generally cheery manner which is about as unchallenging as glitch gets. Similarly “Out Of The Surface” uses the familiar device of super-soft melodic chords contrasting with fairly frenetic high-pitched clicks and bleeps for a result which ought not to be mellow, but somehow is. “Lighted Room”, by contrast, is darker and sparser and could readily soundtrack the sinister alien landscape part of a game. Grumbling eighteen-minute piece “Echoes Of The End” is the most industrial-sounding moment here, a semi-robotic affair of arpeggiating proto-acid loops, while the slightly more stuttering approach of “Feedforward” is also interesting.
There are tracks which use their duration to draw you in- the thirteen minute “E-e” is a loose assembly of seemingly random and sparse synth melody notes that initially seems gently broken but which, by the end, has begun to feel like a new definition of normal. Something about the washy atmospherics of “Infinity Reveal” and the brooding final track “In The Red” feel like a throwback a couple of decades to earlier days of electronic ambient- the former containing one noise in particular that triggers a Future Sound Of London comparison I just can’t shake.
It’s a release that perhaps could have been gently curated down into a single-CD format; the average track length is nine and a half minutes and that could certainly be accused of self-indulgence or an unwillingness to edit. Brevity issues aside though, it’s a strong and accomplished bit of devolutionary electronica that explores the wiring under the board and comes up with something listenable and distinct.