I had previously reviewed Noisepoetnobody’s work with Vance Galloway, titled “Uranium 238,” which I enjoyed for its “subdued experimentalism,” so I was interested to see how this would be different from that collaboration. In the liner notes, we see the following credits:
Eveline Müller: bowls, bows, blades, metal objects.
Noisepoetnobody: springs, strings, boards, e-bow, looper.
This gives some sense of what we are in for, and the music does not disappoint. This consists of two tracks, one per side, titled “Part 1” and “Part 2.” On first glance, “Part 1” seems somewhat chaotic, but as you continue to listen to the compositions, one can begin to see the structure of the tracks coming together. Crashing noise, bits of pounding percussion, gonglike bowls, and just a touch of feedback thrown into the heavily processed sounds make for an interesting listen. But this is not just something that you can put on and then read. Their use of silence and quiet passages continually pull you back in, demanding your attention. “Part 2” opens much more aggressively, leaving you to think that this is going to be a relentless wall of noise, but then suddenly pulls back. The rest proceeds much like Part 1, with a lot of clanging and more resonating of the singing bowls. Overall, this was a good time and would appeal to people who like it noisy, but not to the point of harsh noise.