With this solo album, Marc Dwyer, using his smart I-wish-I’d-thought-of-that ‘Buzz Kull’ alias, has offered up a compact pack of synth darkwave that follows a reliable formula- pulsing arps and bass squelches, fairly fast synth-rock drum patterns and gritty and distorted vocals. The closest comparison might be Depeche Mode, but it also sounds like, or at least influenced by, a variety of other dark electronic and synthwave sounds.
A slightly lo-fi and decidedly 80’s manner continues throughout, though it’s not an overtly retro release. It’s epitomised by tracks like “Existence”. When slowed down a touch, such as on “The Garden”, it starts to recall early-era Human League, while the slightly more techno-ish edge on New Kind Of Cross ends up being a highlight.
It’s book-ended by a couple of nice instrumentals, with “Flowers Have No Meaning” hinting at a more cinematic and sinister style that could maybe have been explored at more length.
It’s a half-hour that’s richly produced, for sure, and sounds rather personal, but it maybe lacks the special twist or the catchy hook that would make it stand out from the crowd. Dwyer is gigging around Europe at some length and it’s one of those releases that might sound better in a live context than at home.