After two previous works which derived their entire sound solely from saxophone and trumpet, Espen Reinertsen and Eivind Lønning as Streifenjunko have added electronic elements to the mix here, blending the three elements to create long, warm melodic drone soundscapes with a leisurely and hybrid-organic-electronic tone.
First piece “Everything We Touch Is Electric” brings to mind musical visualisations as solid horizontal bars, with individual notes and elements that each have a distinct beginning and end and where the compositional heart is in the ebb and overlap, while second piece “Astronaut Peace” is a more continuous and evolving combination of tones with a slightly harsher, toothier sound. The title track behaves somewhere between the two, painting with both soft envelopes and abrupt changes, and returning to the gentle electronic rain effects that added extra detail earlier. As it progresses the changes get more frequent and more abrupt, at times almost cheeky before working into the album’s closest encounter with tension and stress, two-note slightly Glass-like arpeggios adding a note of urgency. The last three or four minutes comes as something of a surprise, shifting away from the recognisable instrumentation into a variety of electric clicks and percussive pops that feels as though the journey is over and we’ve arrived at somewhere totally unrecognisable.
Deriving its title and its motivation from the experience of driving- sometimes stoccato and signal-driven, sometimes long, regular and peaceful- this is an extremely likeable experimental work with a generally soft and calm tone, but a few surprises.