There’s an earnest sonic revelry about the final piece of Takeishi’s triptych that started with 2016’s “Dew Drops” followed by 2017’s “Premonition”. Taking an eclectic selection of mostly childish acoustic instruments as a source- broken autoharps and toy pianos, thumb pianos, “African Marimba from Gift Shop” (delightfully honest), and sampling and processing them into abstract electronic shapes that have an improvised impulsiveness and energy gives us a 10-track , 43-minute work of quite purist electronica.
The high glockenspiel and bell tones are dominant, forming it into a sort of twisted lullaby arrangement most notable on pieces like “If I see you again”. In amongst that there are deeper more brooding moments, like the fairly sinister “Unfolding”, and pieces with more of a percussive punch like “Fragment I”, but in broad terms it says on a fairly consistent sonic palette throughout.
It’s an enjoyably textured work with an attitude which might lend itself to live performance perhaps a little better than studio recording. The fragile acoustic textures and harsh edges won’t be to everyone’s taste but it’s certainly got its own gritty beauty.