“Ambient goes country” is the headline of the blurb promoting that release, but that’s maybe a little bit misleading. I’d suggest that this is country music that’s going on a tentative electronic journey, as pedal steel, acoustic bass and twangy banjo remain firmly at the core, mapping out brooding and sometimes slightly Americana and bluesy patterns, but with some unusual production and atmospheric touches that twist the character a little. There’s also a breadth to the acoustic instrumentation that gives it a more cinematic and high-budget feel, with appearances from a Shankar guitar and an above-average span of percussive sounds.
It’s exemplified by tracks like “Kraag”, with its endearing melodic swagger. Final track “Waterloo” borders gently onto cheese with its plaintive trumpet leading into choral ahhhhh sounds. The two-note suspense work on “Laems”- possibly the National duolian, I have to admit I’m not sure- gives it a slight “60’s spy theme” flavour.
Imagine Ennio Morricone and Acker Bilk collaborating on a spaghetti Western set in a cold Norwegian village, and you’re somewhere near here. An unusual fusion of country and electronics with an emotively grey outlook.