Finally, Dicepeople have released a new full album, very different from their previous one ('End of the Line,' ) but no less ambitious. The band has changed a bit too. Matt Brock (songwriter, electronic musician/programmer, producer) has contributed some vocals on 'One From Many,' Rafael Filomeno (visual artist) is still aboard, and (female) vocalist Zmora is now listed as a band member. Where Brock previously only used guest vocalists, now there is a permanent one. Still there are a number of guest vocalists on the album - Sara Dee, Atashi Tada, Darien Graham-Smith, and Hemiola. Additional guest guitarists include Roger Le Guin and Rob Ackerman. An overall description of the music would be dark electro with touches of EBM, techno-industrial, synthpop, darkwave and post-rock. It has a "grand scale," expansive, futuristic, cyber-sound with generally great production by Brock. Using different vocalists keeps the material from sounding too homogeneous, while not betraying the feel and theme of the material. There are 9 tracks all with single word titles running a succinct 47 minutes or so total. The odyssey begins with "Void," a track of mostly space ambient effects with a lengthy dialogue sample from the 1993 Aussie cult film- "Bad Boy Bubby". The dialogue is an existential rant on God, and seems to be a useful setup for what's to follow. "Gone" features Zmora on vocals with backing vocals by Atashi. For some reason she reminds me of Propaganda's Claudia Brucken here. A very spacey electronic ambience is woven between the beats, and the subtle chorus hook is beguiling. On "Multiplicity" Matt Brock speak-sings his way through this heavy electro track on the verses while Zmora sings the choruses. Okay, now I understand why he's used other vocalists. It's still a good track and also features a neat twisty instrumental section. "Celestial" (co-written by Darien Graham-Smith, who also provides lead vocals) is a bouncy number with Sara Dee also on vocals with vocoder processing. On "Nitro" Atyashi steps up into the lead vocalist spot for a song with a real EBM/technoir vibe. The angular bass synth motif of "Addiction" provides a stark contrast to the smoothness of the previous track with Brock on primary vocals, supplemented by the voice of Zmora. "Pigs' treads more traditional electro-industrial territory with vocals by Brock and Zmora. A processed (but unassimilated) Borgish vocal that opens "This" continues along electro-industrial lines with Hemiola's voice swimming against the slipstream of cosmic effluvia. If that track seemed like it was awash in an ocean of synthetic sound, it's nothing compared to "Duality". Zmora sounds like she's nearly drowning but somehow managing to cling to a liferaft, until it capsizes in the bitter end. This is one interesting and unusual album, brimming with cyber-vibes and wonderfully executed. I imagine that it's even more spectacular live when Rafael gets to work his visual magic. My only complaint is that the album is download only with no physical product. I'm kind of old school when it comes to that, but I'll save that rant for another time.