Monday, September 28, 2020
«« »»

Koji Maruyama: isos

     More reviews by
Artist: Koji Maruyama
Title: isos
Format: Download Only (MP3 only)
Label: Mimi (@)
An uplifting follow-up to the more pensive but no less beautiful, Comune, Koji Maruyama brings the listener deeper into his compositions with piano solos, as well as with piano with ambient field-recording accompaniment and orchestral. The listener is treated to superb recordings of a masterful player who delivers musical narrative vignettes, each track feels complete though these may be bits of television and film soundtracks. isos (sic) is book-ended with shuffling sounds and the creak of a piano bench (perhaps a nod to luminary, Glenn Gould) as Maruyama pours over the keys with the fluidity of a waterfall, the precision of a Swiss made watch and story-telling prowess of Hans Christian Andersen. The meaning of the track and album titles remain cryptic, but “prelude/isos” unfurls like a summer rose wet with the morning dew as it cranes its stem towards the warmth of the sun to the tranquil flow of water. “Nap”, with its sparse and playful opening, emotes the innocence of a child as she lays her head upon the pillow, while the more vigorously played notes and sweeping orchestral accompaniment bellies the magnificent improbability of dreams; spacious and expansive as anything as anything Studio Ghibli could come up with. “Fluid/Door” opens impressively, overwhelming piano notes that glitters with the speed and aggression of gathering storm clouds that in turn disperse into clear-skied serenity. “Sketch#1” is just that, sort of like Van Gogh with a piece of charcoal who first plans a piece of painting with a sketch, hinting at the splendor to come. Echoing drops of water in a cavernous space , and piano notes that splash and resonate like stones tossed in a pond, “Land/welter” is ambient meets piano as an old man asks a question, joined by resonances and orchestral strings. “Pause#3” is a chance to get deeper into a Maruyama composition; it starts pensively and then dramatically before giving way to a dizzying and cascading yet graceful flow. “Postlude/isos” returns to the sweet sparse motif before the more assertive notes whirl and then stops almost mid flow and the creak of the piano bench. Yet another jewel in the trove of, treat yourself to a listen.


< Previous Review | Next Review >