I reviewed Vito & Druzzi’s original “Seed 2 Sky” back in November, then coupled with an A-side “Hera In The Valley”, calling it “exemplary electronica”. Now, Ransom Note Records have followed it up with six remixes to pull the synthy, subtly progressive house with tribal percussion pattern sounds of the original into half a dozen different directions.
The outstanding version here is from C.A.R., who’s used the instrumentation of the original as the basis for writing a brand new song that sounds completely coherent and like it ought to have been the original version all along. A slow, slightly proggy vocal over the steady, faintly Kraftwerk-y original groove with added more dramatic percussion as the song demands, it’s on the edgier side of dream-pop and works exceptionally well- hopefully an indicator that the two parties should collaborate more in future.
Justin Robertson uses his Deadstock 33’s alias and takes the track on a twelve-minute journey of slowly knob-twiddled staccato acid bassline with delay-washed higher elements, slowly layering up more and more percussive patterns and introducing the melodic elements one-by-one to raise the energy level with expert care. By comparison Ess O Ess’s is a very mellow and straightforward house take with rich pads and feel-good synth washes, holding back a slightly more driving bassline until over three minutes in to good effect, but overall somewhat more modest.
Graintable’s remix is a stripped-back breakdown, focussing solely on the synths and pads and completely percussion-free. The liberal use of a tape warp effect is strangely disconcerting and, for me personally, spoils what would otherwise be a very smooth and simple wave of calming synth noise.
Leaf’s remix is another ten-minute adventure, this time with a slightly more indie-electronica vibe reminiscent of DFA. Again it’s heavy in washes and slow builds, but is perhaps the remix that doesn’t sustain its running time quite as well as the others. Finally Malestripper’s version adopts a similar vibe but with a thinner and more electro rhythm and some dramatic, faintly novelty synthwave tom hits and a slightly weirder structure that’s less interested in evolving normally.
It’s a great packages of remixes, and one of those with enough variety and quality in it that it becomes a worthy 51-minute deep house listening album in its own right, which is rare.