Starting life as a soundtrack to a series of 16mm films on the theme of ‘work’, Takt Der Arbeit has expanded into a 4-track, 32-minute series of steady, light-industrial percussive environments with a slightly playful air.
“Musik für neue Büromaschinen” is an office soundtrack with steady organic percussion playing against a range of telephone and modem noises, with the odd Apple start-up sound and possibly a dot matrix printer in there for good measure. Principally it’s a novelty setting for some nicely virtuoso tuned and untuned percussion work.
“Geburt eines Schiffes” is a more sombre affair, slower plainer drumming underpinning gradually building sustained notes of tension, before an unexpected shift halfway through to an odd music concrete of old newsreel dialogue, sampled fanfares and a form of big reveal which gradually winds its way back to a new steady rhythm- perhaps the titular ship’s unveiling and first launch. In which case the final few minutes of sombre xylophone mood are harder to explain without the pictures.
“Martial Arts” is, as the title may suggest, a sharper affair, repeating xylophone(-ish) patterns with a faintly ethnic flavour over a more urgent-sounding rhythm that is interrupted somewhat less. On top of this are some old-fashioned electronic bleeps and wobbles to add just a smattering of electronica. Things get progressively weirder with shades of avantgarde jazz towards the end.
Final track “Uhren”, again as the title suggests, brings a sense of clockwork regularity and the reassuring effect of steady mechanics, with a glockenspiel or similar meandering some kind of musical code over the top consisting of distinct short note patterns which repeat and then disappear.
It’s a warm and very accessible collection of soundtrack pieces which would be very interesting to see with picture accompaniment, not dissimilar to the Cinematic Orchestra’s “Man With A Movie Camera” in parts but with less conventional melody and more rhythmic surprises. Top notch stuff and certainly worth a listen.