Saturday, July 24, 2021
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Music Reviews

Shimri: Lilies of the Field

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Artist: Shimri (@)
Title: Lilies of the Field
Format: CD
Label: Art of Fact (@)
Solo project of Gary Dassing of Mentallo & the Fixer, Shimri is zapping electronic music with pounding indus beats, metallic sounds, bells, synthetic sounds, Microsoft wave files and other stuff (no vocals). The 12 tracks of "Lilies of the Field" usually go by the theme harder beat structures vs softer layers of sounds. Obviously totally computer-based, this minimal electro album samples the shit out the PC and probably tries to make it a leading theme as well. I haven't got any additional bio info but I visited Art of Fact records' nice website and they have some cool stuff planned so check it out!

VV.AA.: Syntonic Waves Vol.8

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Artist: VV.AA.
Title: Syntonic Waves Vol.8
Format: CD
Label: Spheric Music (@)
Juergen Kern was the man behind vol. 1, back in 1991, and 11 years later, vol.8 is compiled by Lambert Ringlage, and puts together unreleased tracks of new synthetic electronics by Klangwelt, Michael Obermeier, Jonson, Wild Element, Gunnar Spardel, Gianfranco Grilli, Erik Seifert, Deep Tune, Palantir, Carloa Kern (I think I can guess who she is related to), Lambert, Faralley and Foreign Space. This compilation reminds me of some synth-scapes collections I used to get almost 10 years ago, maybe because it has a non-linear and different approach. There are no vocals and it makes you think about music for films. Even though I guess I am not supposed to think about it in cinematic terms, I do think that "Syntonic Waves" primary goal is to stay true to what electronic music once was and to re-present it in a more modern key... Think of Vangelis, Tangerine Dream, Can, Goblin, but don't try to think of these as models that have been emulated, rather think of them as patterns that seem to re-emerge from a new-born and more experimental breed of musical layers of synthetic, breezy and soft ethereal soundscapes. You may now enter the starship...

Geistform: Uno

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Artist: Geistform (@)
Title: Uno
Format: CD
Label: Daft (@)
Distributor: Tristol
From Rubi, Spain, near Barcelona, Rafael Martinez Espinosa aka Geistform has been producing electronic sounds since 1998. He uses the MS-20 samples as his main source and couples them with radio frequency signals and other questionable data. All this together gives life to a quite interesting and noisy form of experimental techno that has been compared to Esplendor Geometrico and Panasonic whose strongest points are the wide spectrum going from the deep droning 10-20Hz sub harmonics to the hi pitch 10-15kHz digital data. Such a wide headroom and full range of frequencies addressing your body creates truly good sounding and well produced album suitable both for intense home listening and for more alternative dance floors. This is "Uno", his debut album, and he's already impressive, we'll see where this goes, looks like a very promising direction so far.

Daniele Brusaschetto: Bluviola

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Artist: Daniele Brusaschetto (@)
Title: Bluviola
Format: CD
Label: Radon Studio (@)
Distributor: Radon, Daniele Brusaschetto
Yo, watch out, the god of new italian industrial music with italian lyrics is back (I know he is laughing now): my young pal Daniele B. (sounds like a cheap rapper's name) is back with "Bluviola", follow up to the CD "Mamma Fottimi" and first release on a label other than his own one (ZZZ Prod.). Colorado's label Rodon Studio has apparently understood that this guy's up to something more that just screaming at people that they are shit (remember "sei una merda"? - by the way there's a new song now called "I love you all"), and thought well of putting out his new raging 9 tracks of material ranging from still moments of claustrophobic calm after (or before) the storm to violent and raw bursts of negative power, spoken by mean of distorted guitars, industrial sounds and other awful noises... I would say there is a more persistent use of guitars now, in their various forms and shapes, as a primary tool and instrument of atmosphere creation (harmonics, open chords, arpeggios, power chords, Whammy-pitched single notes, muted chords, you name it, he's got it...), and his very recognizable voice marks the path from disillusioning single-tone recital-like signing to screams of anger and love (check out how a bunch of overdubbed layers of his non-boring-bored singing-talk sound, even when he goes to some melodic back-lines). Also this record has drums, which definitely helps make everything even more powerful, dragging, chaotic and slamming. I dig his music a lot and I'm positive that if you give it a chance you'll be surprised. Don't be shy just 'cause he's Italian, this is good spent money and I admire Radon Studio's determination and attitude. Marco Milanesio (long-time electronic/industrial engineer from Northern Italy) was behind the console for this record and did a great job (I always thought that mixing and fucking with one of Daniele's records 's got to be a fun job ;-). As tense as it can go, he's got the gift and he's got it down all the way. The dude's freaking dope. Yes, I admit he's a good buddy, but he didn't pay for my good words, so get your ass off the chair and do what you are supposed to in the damn first place: catch him live (he plays all over the world) and buy his record before he's after you in your worst nightmares! He's out there! Watch your back (and protect your ears)!

Kirlian Camera: Absentee

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Artist: Kirlian Camera (@)
Title: Absentee
Format: CD EP
Label: Radio Luxor, January Zero Productions, E.N.D.E. (@)
The Kirlian Camera collective seems to be expanding well beyond the original nucleus of founding members Angelo Bergamini and Emilia Lo Jacono as a new important role seems to be covered by female singer and keyboardist Elena Fossi and other collaborations include Simon Balestrazzi, Gianluca Becuzzi (formerly with Limbo), Andrea Savelli and Paolo Varola (besides their long time engineer and friend Ivano Bizzi - whose efforts are now shared by Angelo himself). Their long existence doesn't seem to represent any obstacle at all when it comes to create new material and the new dancefloor-proof version of "Blue Room" (a song originally from the mid-eighties). New songs such as "Still Air" seem too to be using a lot more of the pounding beats that the body language folks love, but the martial treated vocals, the punching analog synths, the dominating electronics and the overall feel of increasing paranoia and suffocating claustrophobia is awesome. There's also room for breath ("Stele") or slow minimal but huge atmospheres ("Denied Sky", whose beginning beat made me think of Pink Floyd) or even totally beat-less songs ("Paan NB"). The kings of Italy's best martial industrial electronics returned, and I am so god damn happy about that ;-)